MC6 FIONDA

The gently carved wooden pieces are held in place by bent metal rods - while wood remains the main actor, the metal parts play a fundamental role in the construction.

"Design is an unpredictable process. While designing the Zampa stools I never imagined we would add a chair and an armchair to the family.

Studio OE aimed to create a mobile extension of architecture that would seamlessly blend into the living space and that invites to define its use according to individual needs.

MC19 Fronda by Sam Hecht & Kim Colin

Primo epitomizes the archetypal chair. Its design comprises of only the most basic elements —four legs, seat and backrest—.

The chair comes in two styles: a simple, more upright armchair, and the more luxurious lounge version with an extra legrest.

"If you see it from the side, you could say that the frame is almost typographic, like a letter. The lines offabric cord are also very graphic; yet these lines distort as the body sits down.

This robust yet simple and refined furniture family was thought to be used in cafès and restaurants, which is why it offers great flexibility - both in use and in the variations proposed.

The design for the FACILE came about as a result of our quest to build a bridge between the product ranges in the Mattiazzi collection.

Designed by Foster + Partners in collaboration with the Italian manufacturer Mattiazzi, the chair brings together an honesty of materiality with a deep understanding of CNC technology to create a u

<<As with many words, CHIARO has several definitions: clear, bright, and straightforward.>> Leon Ransmeier

CLERICI, Konstantin Grcic's second collection for Mattiazzi, radiates devout serenity. The main concept and the fascination of CLERICI lie in the grand simplicity of the design.

"The sustainable approach was to separate the materials and specify the components: wood, recycled feathers and fabric. Then I asked myself what comfort was, a backrest and a seat to sink into.

MC21 Leva by Foster + Partners

RADICE finds its underlying beauty and simplicity in its structure.

I observed that the power of the robot, the repetition of the machine and the skills of the craftsmen already have synchronised relationships at Mattiazzi, where each process is as carefully select