MC21 - Leva

The chair comes in two styles: a simple, more upright armchair, and the more luxurious lounge version with an extra legrest.

"If you see it from the side, you could say that the frame is almost typographic, like a letter. The lines offabric cord are also very graphic; yet these lines distort as the body sits down.

The design for the FACILE came about as a result of our quest to build a bridge between the product ranges in the Mattiazzi collection.

DOPO is the second collection designed by Studio OE for Mattiazzi.

"Design is an unpredictable process. While designing the Zampa stools I never imagined we would add a chair and an armchair to the family.

"The sustainable approach was to separate the materials and specify the components: wood, recycled feathers and fabric. Then I asked myself what comfort was, a backrest and a seat to sink into.

Primo epitomizes the archetypal chair. Its design comprises of only the most basic elements —four legs, seat and backrest—.

The concept and charm is a canvas sling suspended from a frame: the most simple construction and a surprisingly comfortable seating experience.

The collection Forcina by Leon Ransmeier comprises a chair, an armchair, and a stool with a steel frame, a wooden seat, and a backrest. The collection is rounded off with a table.

<<As with many words, CHIARO has several definitions: clear, bright, and straightforward.>> Leon Ransmeier

The gently carved wooden pieces are held in place by bent metal rods - while wood remains the main actor, the metal parts play a fundamental role in the construction.

MC19 Fronda by Sam Hecht & Kim Colin

RADICE finds its underlying beauty and simplicity in its structure.

Designed by Foster + Partners in collaboration with the Italian manufacturer Mattiazzi, the chair brings together an honesty of materiality with a deep understanding of CNC technology to create a u

TRONCO's character is formed from solid strips of wood in what appears as very elementary construction, yet its simplicity is the result of iterative experimentation and a high regard for material

CLERICI, Konstantin Grcic's second collection for Mattiazzi, radiates devout serenity. The main concept and the fascination of CLERICI lie in the grand simplicity of the design.