MC16 - Forcina

MEDICI is conceived as a low chair with a comfortably reclined posture. Its generous dimension gives the chair an embracing confidence.

Primo epitomizes the archetypal chair. Its design comprises of only the most basic elements —four legs, seat and backrest—.

TRONCO's character is formed from solid strips of wood in what appears as very elementary construction, yet its simplicity is the result of iterative experimentation and a high regard for material

MC19 Fronda by Sam Hecht & Kim Colin

<<We designed an object in plain wood but not in regular plain wood, the quality of the wood literally makes the object, like the best piece of meat would make the refinement of a dish.>&g

CLERICI, Konstantin Grcic's second collection for Mattiazzi, radiates devout serenity. The main concept and the fascination of CLERICI lie in the grand simplicity of the design.

"The sustainable approach was to separate the materials and specify the components: wood, recycled feathers and fabric. Then I asked myself what comfort was, a backrest and a seat to sink into.

"If you see it from the side, you could say that the frame is almost typographic, like a letter. The lines offabric cord are also very graphic; yet these lines distort as the body sits down.

MC20 Cugino by Konstantin Grcic

This robust yet simple and refined furniture family was thought to be used in cafès and restaurants, which is why it offers great flexibility - both in use and in the variations proposed.

RADICE finds its underlying beauty and simplicity in its structure.

MC21 Leva by Foster + Partners

The design for the FACILE came about as a result of our quest to build a bridge between the product ranges in the Mattiazzi collection.

The gently carved wooden pieces are held in place by bent metal rods - while wood remains the main actor, the metal parts play a fundamental role in the construction.

Studio OE aimed to create a mobile extension of architecture that would seamlessly blend into the living space and that invites to define its use according to individual needs.

I observed that the power of the robot, the repetition of the machine and the skills of the craftsmen already have synchronised relationships at Mattiazzi, where each process is as carefully select