Puppy

Modular through and through: The new Costume sofa system from Stefan Diez is pragmatic, transformable and protects resources – it’s the easy-going companion we wish for today.

Steelwood Chair is the meeting point between two traditional materials, steel plate and solid beech wood, combined in an assemblage of remarkable technical and formal excellence.

Sometimes normality can be the fruit of a lengthy process of study and refining.

Bombo - presented for the first time in 1996 - is an object which has since become part of the collective imagination as the contemporary stool par excellence.

From 1978 onwards, the “Proust armchair” by Alessandro Mendinwas produced in many versions, using different colours, materials and dimensions, and was even made of ceramics and bronze.

Chair_One is a truly unique seat. The shell is a structure of flat geometric shapes that join up around the edges, like a soccer ball.

Tom and Jerry is the redesign of a classic furniture typology: the workshop stool.

Spun is not just a new seat, a new concept in seating and sitting.

When Magis started to work on this collection with Ronan & Erwan Bouroullec, the idea was to work with an ancient fabrication process and give it a new visual language.

Air-Chair is not just a plastic chair: it takes its name from the “air-moulding” technology that makes it possible to create highly resistant yet super-lightweight products out of polypropylene add

Sam Son is an easy armchair with a hint of a car toon character. Supported on four stilt legs, the armchair features a softly suspended seat shell between a giant,

Linnut (the Finnish word for birds) is a collection of birds developed in collaboration by Magis, Iittala and Oiva Toikka, starting from the collection Birds, the blown glass birds designed by Oiva

Affordable, versatile and responsible: with Bell Chair, Konstantin Grcic and Magis have developed a contemporary monobloc chair made entirely from recycled polypropylene.

Troy is a concept of remarkable simplicity and comfort that gives shape to practically endless possible variations, playing on the use of different materials, combinations and seat types.

The line between sculpture and design is very thin in Ron Arad’s work.