Pure volumes, minimal or non-existent decoration, primacy of functionality, harnessing new materials: from the Casa del Fascio in Como to the railway station in Florence, the story of an experimental period that, after almost a century and several attempts at damnatio memoriae, remains a tangible presence in Italy.
Giulio Ghirardi and other people’s homes

Progetto Mia Dalton - Los Angleles
All it takes is a few objects to understand a room. Have you ever read between the cracks on the walls, in the veins in the parquet?
Slowly opening a door and finding to one’s amazement a perfectly-brushed velvet sofa, a large wall mirror and an amber light bravely forging its way through the wide curtains.
Other people’s houses have always been perfect settings for imaginary narrations. Thinking about what might have taken place inside them, reading into wall crevices, peering into bookcases.
It only takes a few objects to tell a story and Giulio Ghirardi’s photographs slake the thirst of those who travel in their imagination.
His career began with architecture, at Milan Polytechnic University, following a three-year degree in Strasbourg. His passion for images was kindled much earlier, though, when he left for a trip to the United States with his parents at the age of twelve and brought his first memories home to develop.
His studies taught him to look at spaces and familiarise himself with materials, but the lengthy waits were a trial for someone who loves seeing quick results. With photography, he discovered the satisfaction of the immediate, an adjective seldom used in the world of buildings.

A play space is a serious matter
Not just fun places, but true places of social focus, where individuals gather, create bonds and build trust

The second edition of the Roundtables on Milan Design (Eco) System
Discussions ranged from the role of cultural policies and training, the appearance of new publics and emerging practices, all the way to innovative networks between territories and design. This is an account of the day’s work on Thursday 25 September, as part of the research project promoted by the Salone del Mobile and the Politecnico di Milano