Luxurious and sustainable: the most iconic design hotels (already open or under construction) in Saudi Arabia

Text by
Shebara Resort, The Red Sea Project (Ummahat archipelago, opposite Red Sea International Airport)

Shebara Resort, The Red Sea Project (Ummahat archipelago, opposite Red Sea International Airport), by Killa Design and Paolo Ferrari Studio

Saudi Arabia has come a long way from being a mainly oil-focused economy to being a new experiential tourism destination. A number of international starchitects have contributed to this paradigm shift, called upon to design spectacular hotels and resorts by the sea or in historic locations

Once upon a time, there was a country that was almost inaccessible to foreign visitors, given that only grounds for entry visas were professional or religious, and which was dependent on its enormous oil reserves. Once upon a time, that is, before the launch of the Vision 2030 plan, which envisages a gradual exit from the 'black gold' era and the diversification of economic activities, particularly in the service sector.

Since 2019, when Saudi Arabia opened its doors to foreign tourists, investment in the hospitality sector has  mushroomed, as have the often futuristic structures designed by big names in international architecture, and there are just as many signature projects in the pipeline. The key areas are mainly located in the north-west of the country, along the Red Sea coast, where the massive Red Sea Project, once completed, will include 50 hotels and resorts with a total of 8,000 rooms and a thousand residential units, the site where the 'seaside' part of the Neom mega-project will be built, and around the historic UNESCO World Heritage site of AlUla.

From an architectural point of view, the new luxury hotels and resorts focus on connecting with their surroundings, both in terms of space management and of the balance between interior and exterior, as well as ecological impact, blending Western influences with rediscovered ancestral practices such as rope weaving for roofing and the use of raw earth bricks.

Read also: Salone del Mobile debuts in Saudi Arabia

Dar Tantora The House Hotel, AlUla 

The 30-room boutique hotel designed by Egyptian architect Shahira Fahmi, in the alleyways of the old town, opened in May 2024. It is the result of the respectful restoration – based on the use of natural materials and pigments and supervised by the Royal Commission for AlUla – of a series of historic edifices built from mud bricks, stones and mud in around the 12th century. The interiors, designed by the pioneering local design school Madrasat Addeera, are traditionally-inspired and incorporate pieces of ceramic and wrought iron craftsmanship, with just one electrical socket provided per room. Guests are promised a retreat from the hustle and bustle of modern life and a place where they can literally unplug and live life at a slower pace.

Dar Tantora The House Hotel, AlUla

Dar Tantora The House Hotel, AlUla, by Shahira Fahmi

The Chedi Hegra, near AlUla (Hegra site) 

The ancient Nabataean city of Hegra, North of AlUla, was an important stop along the legendary Ottoman Hijaz Railway, built in the early 20th century to connect Medina and Damascus, becoming Saudi Arabia’s first UNESCO World Heritage Site in 2008. The 35-room hotel, designed by the Milanese studio Giò Forma in collaboration with Black Engineering on the ruins of the railway, draws its strengths from its dialogue with the rocky landscape and the millennial history of the place. The hotel houses several art installations, not least the Shadow Canopy, a 700-metre-long sculpture that connects the various buildings making up the complex, and provides shade. A huge, spectacular chandelier made from sections of disused railway tracks and a restored locomotive integrated into the restaurant, which is housed in the former station, are reminders of Hegra's 'railway' past. 

The Chedi Hegra, near AlUla (Hegra site)

The Chedi Hegra, near AlUla (Hegra site), by Giò Forma

Sharaan Hotel, near AlUla (Shaaran Nature Reserve) 

Biomimicry is the guiding principle behind the world-renowned French architect Jean Nouvel's design for this new resort, currently under construction in the Sharaan Nature Reserve near AlUla, which is home to several endangered species and where the extremely rare Arabian leopard is also expected to thrive in the future. Carved into one of the imposing jagged rock formations typical of the area, the complex aims to harness the 'energy of the mountains' and natural ventilation, drawing inspiration from the construction techniques of the Nabataeans. In a text written in 2018, before embarking on his ambitious venture, Nouvel described the Sharaan site as majestic, untouched and mysterious. Already a world unto itself. He realised that by going deeper, it could be inhabited while still preserving the sensations it invokes.

Sharaan Hotel, near AlUla (Shaaran Nature Reserve)

Sharaan Hotel, near AlUla (Shaaran Nature Reserve), by Jean Nouvel, ph. Ateliers Jean

Desert Rock Resort, The Red Sea Project (Umluj, south of Red Sea International Airport) 

The upshot of a joint effort by the award-winning Oppenheim Architecture studio, Studio Paolo Ferrari and Red Sea Global, the Desert Rock Resort, which opened a year ago, also seems to be carved out of stone. The 54 villas and ten suites are not only in harmony with their surroundings but seem to emerge directly from them, carved into the mountainside, nestled at the bottom of the valley or perched on rocky pinnacles. The boundaries between inside and outside are blurred thanks to the use of natural materials, some of which were recovered from excavations carried out during the early stages of the hotel's construction and recycled or reused, and the integration of custom-made sand-cast components. Even the colours are borrowed from the desert, with dominant warm, earthy tones ranging from sandy beige to brown.

Desert Rock Resort, The Red Sea Project

Desert Rock Resort, The Red Sea Project (Umluj, south of Red Sea International Airport), by Oppenheim Architecture and Paolo Ferrari Studio 

Shebara Resort, The Red Sea Project (Ummahat archipelago, opposite Red Sea International Airport) 

The unmistakable touch of the Toronto-based studio founded by Paolo Ferrari is also clearly discernible in the interior design of the Shebara Resort, designed by Killa Design, which looks like something out of the Space Age with its 73 reflective stainless steel capsule villas set on the Red Sea and strung along next to each other like pearls on a necklace. The 120-hectare resort is located on an unspoilt island in the north-west of the country, in the area covered by the Red Sea Project mega tourism project, and has been shortlisted for the Michelin Architecture & Design Award, the prize awarded to the most spectacular hotels in the world. The bespoke interiors, both futuristic and luxurious, embrace the roundness of the architectural structures: there are curved sofas, beds with enveloping headboards, suspended wash hand basins that follow the contours of the walls and sculptural bar cabinets that open automatically to reveal red leather upholstery.

Shebara Resort, The Red Sea Project (Ummahat archipelago, opposite Red Sea International Airport)

Shebara Resort, The Red Sea Project (Ummahat archipelago, opposite Red Sea International Airport), by Killa Design and Paolo Ferrari Studio

Six Senses Southern Dunes, The Red Sea Project (north of Umluj, moved inland) 

Designed by Foster + Partners with materials that reduce solar absorption and therefore dependence on air conditioning, and with an intelligent shading system to protect guests from the region's often extreme climate, the five-star resort belonging to the Thai Six Senses chain is located in the desert, 45 minutes from the sea, and was the first of the Red Sea Project hotels to open. Set amid the dunes, with the Hijaz mountains on the horizon, the main distinctive feature of the complex, the flower-shaped roof, made of lightweight petals covered with woven ropes, immediately stands out, skilfully blending into the surrounding environment. 

Six Senses Southern Dunes, The Red Sea Project

Six Senses Southern Dunes, The Red Sea Project (north of Umluj, moved inland), by Foster + Partners

Nujuma Ritz-Carlton Reserve, The Red Sea Project (Ummahat archipelago) 

Sixty-three prefabricated shell-shaped villas, perched in a ring shape above the Al Wajh lagoon (in the overwater version) or scattered along the beach, form the heart of Nujuma, designed by Sir Norman Foster’s studio, which opened to the public several months ago. Where necessary or at end of life, the villas can be dismantled without damaging the fragile ecosystem of the island on which they stand. Luxury goes hand in hand with sustainability, as the capsules are made of wood and rope and the energy needed to power the resort is derived from the sun, while drinking water is produced on site by means of a reverse osmosis system. Activities on offer include exploring the sky, with telescopes available in each of the villas, as well as the marine life, with the support of the Conservation House which employs biologists and educators. 

Nujuma Ritz-Carlton Reserve, The Red Sea Project

Nujuma Ritz-Carlton Reserve, The Red Sea Project (Ummahat archipelago), by Foster + Partners, ph. Red Sea Global

The St. Regis Red Sea Resort, The Red Sea Project (Ummahat archipelago) 

A short distance away, the St. Regis Red Sea Resort bears the signature of the Japanese starchitect Kengo Kuma. His studio also opted for a site-specific approach that respects the natural environment, in line with the principles that typically guide his work: the villas on the mainland follow the curved profile of the dunes and are almost hidden within them, while the housing units suspended over the water boast an organic spiral shape inspired by the organisms that inhabit the coral reef. The use of concrete is minimal, eschewed in favour of prefabricated spruce wood, which is particularly resistant to salt, and clay plaster to emphasise the connection between the buildings and nature. The roofs are covered with cedar shingles, which will acquire a silver-grey patina over time, making them even more inconspicuous among their surroundings. 

The visionary city of Neom: a work in progress 

First unveiled in October 2017, the highly ambitious Neom project is set to revolutionise the far north-west of Saudi Arabia with the construction of a new megacity powered by renewable energy. While little is known about the actual progress of the gigantic 'wall' of skyscrapers known as The Line, which is expected to stretch for kilometres inland, and the stadium positioned 350 metres above the ground, recently proposed as a venue for the 2034 World Cup but currently existing only on paper, things are already beginning to move on the coast. The island of Sindalah, on the eastern side of the Gulf of Aqaba, roughly opposite the Egyptian resort of Sharm el-Sheikh, has been officially inaugurated. The masterplan and design for a marina and a long series of buildings intended primarily for tourism have been entrusted to a Florentine firm, Luca Dini Design & Architecture, which is also active in the luxury yachting sector and is working on the use of innovative materials such as spray leather for exteriors. The Neom megaproject will also include other luxury hotels, such as the Elenan resort, a 'secret garden' conceived as an oasis, and the Treyam, with two buildings connected by a 450-metre-long elevated bridge, both designed by the New York-based firm Mark Foster Gate Architects.

Sindalah Island

Sindalah Island, by Luca Dini Design & Architecture

19 November 2025
See Also
Other Articles