The international jury awarded 20 Compassi d’Oro and 35 Honorable Mentions to the Italian Pavilion designed by architect Mario Cucinella
Adrianna Glaviano: the safety of objects and the snake egg

If the devil is in the details, if the fly at the margins of vanitas alludes to the transience of matter, one point in the image is often dedicated to what has been removed. In Glaviano's photographs everything aims towards that point.
There always seems to be something that doesn't add up in Adrianna Glaviano's photographs, and what doesn't add up amounts to exactly what matters: a gash ripping through order, predictability, an arrangement or symmetry. The chance encounter on a dissecting table of a sewing machine and an umbrella, Lautremont would say. It is a question of shapes and volumes and semantics: a cluster of small houses next to buildings in which one of the two is out of proportion, a wall mosaic slashed to make it illegible, or pecten shells that appear out of place in a pocket, as if conjured up by a magician. It is a game of perspective and framing: the table is shot so that it looks disproportionate compared to the vase, the stairs distorted so that they lead nowhere but to an Escherian paradox. Purely unsettling dynamics: we look absent-mindedly at Glaviano's photos and they look familiar, but the more we observe them, the more the disquiet of the incongruous, the subversion of the world, the snake's egg, becomes clear.

The most interesting books on hotels and such
Five-star hotels, ancient noble palazzi converted into contemporary guest houses, museum facilities crammed with artworks, and tree houses where you can stay overnight... There are many different types of hotel projects, with varying features and difficulties. And for each there is one or more books telling its story