Pure volumes, minimal or non-existent decoration, primacy of functionality, harnessing new materials: from the Casa del Fascio in Como to the railway station in Florence, the story of an experimental period that, after almost a century and several attempts at damnatio memoriae, remains a tangible presence in Italy.
Adrianna Glaviano: the safety of objects and the snake egg

If the devil is in the details, if the fly at the margins of vanitas alludes to the transience of matter, one point in the image is often dedicated to what has been removed. In Glaviano's photographs everything aims towards that point.
There always seems to be something that doesn't add up in Adrianna Glaviano's photographs, and what doesn't add up amounts to exactly what matters: a gash ripping through order, predictability, an arrangement or symmetry. The chance encounter on a dissecting table of a sewing machine and an umbrella, Lautremont would say. It is a question of shapes and volumes and semantics: a cluster of small houses next to buildings in which one of the two is out of proportion, a wall mosaic slashed to make it illegible, or pecten shells that appear out of place in a pocket, as if conjured up by a magician. It is a game of perspective and framing: the table is shot so that it looks disproportionate compared to the vase, the stairs distorted so that they lead nowhere but to an Escherian paradox. Purely unsettling dynamics: we look absent-mindedly at Glaviano's photos and they look familiar, but the more we observe them, the more the disquiet of the incongruous, the subversion of the world, the snake's egg, becomes clear.

A play space is a serious matter
Not just fun places, but true places of social focus, where individuals gather, create bonds and build trust

The second edition of the Roundtables on Milan Design (Eco) System
Discussions ranged from the role of cultural policies and training, the appearance of new publics and emerging practices, all the way to innovative networks between territories and design. This is an account of the day’s work on Thursday 25 September, as part of the research project promoted by the Salone del Mobile and the Politecnico di Milano