John Low Table

Steel frames padded with resilient polyurethane foam. Overlapping curved backs which provide two different seating depths for better comfort.

With its soft petal-shaped back, this armchair is reminiscent of a flower. Each armchair is unique as it is crafted by hand.

The base of the Table is in chrome-plated metal and the top is made of round and rectangular wood.

Small enveloping armchair with a metal base, upholstered with fabric or leather from our collection.

The sofa has a metal frame incorporated within the resilient urethane foam padding, and all-feather cushions for the seating and backrest.

A sofa with a simple, essential look that conceals a rebellious spirit.

Two-or three-seater linear upholstered sofa and compositions with footrest at the right and left ends, and supple, fluent shapes.

This chair exudes grand formal elegance. The metal base seamlessly joins the padded part, lending a sturdy, compact look to the entire chair.

An enveloping, padded chair with an incorporated seat and back, supported by a chrome-plated metal trestle.

The idea for the Antelope armchair was inspired by Antelope Canyon, which was formed by the wind and rain eroding the sandstone thousands of years ago.

Different rounded shapes and sizes conjure up a highly evocative world of heights and curves. 

Designed by Arch. Giuseppe Viganò - Studio Viganò

Super-taut lines, curves and cuts control irrepressible fluid forms, alternating opposing introf lexed areas with other rotundly expanding spaces.

Design by Studio Ervas Basilico Girardi

Asymmetric armchair with one arm on either side, or with two arms. Headrest in rigid quilted Alcantara with upholstered cylinder for maxim um comfort is standard.

A range of stainless steel mirrors exuding originality and sheer personality.

A strikingly eye-catching armchair distinctively shaped by subtle, curved lines. An ultralight structure welcomes the body and encourages elaxation, almost making you feel as if you are floating.

Quentin is designed freestyle. Super-taut lines, curves and cuts control irrepressible fluid forms, alternating opposing introflexed areas with other rotundly expanding spaces.