CHIPPENSTEEL chair

RONDO from the Zieta Studio mirror collection is a decorative manifesto of the iconic FiDU technology, a sculpture-mirror in which reality is reflected in a slightly different way than usual.

LUNA is a highly technological, ultra-thin lamp. The 2mm OLED light source is encased in metal precisely shaped by the spinning technique.

Technological exploration in organic shape
The concept of LAMPIN resulted from combining two techniques: bending and internal pressure deformation (FiDU).

TAFLA O is a series of bionic mirrors of organic shapes inspired by natural shapes of liquid drops. 

Tiny in size, huge in technology. In its small dimensions, HARMONICA hides the gigantic potential of the production process.

ULTRALEGGERA is a minimalist light metal chair. Thanks to its exceptional qualities it is the chair of the future.

Mercury, a reflecting installation composed of differently shaped irregular silvery elements, awakens references to an eye of a giant insect, a cell seen through a microscope, or drops of liquid me

KAMYKI is a series of decorative wall hangers in unique but repeatable shapes. This randomly dispersed constellation of glossy beads creates a neat impression.

Plopp stool is an icon and a bestseller of Zieta Prozessdesign. The unique, toy-looking and playful shape of Plopp is an effect of an innovative forming method – FIDU.

TAFLA C is an avant-garde interpretation of a drop of water. Objects from the C series have expressive, characteristic contours that provoke the senses and reflections of light.

The Ultraleggera family is a great representative of Monomaterial Thinking. Manufactured in aluminium, it is durable, fully recyclable, and ultralight.

Usually made of metal, the modern candleholders are available in myriad shapes and styles. From simple, minimalist ones to opulent, eclectic candelabra.

TAFLA IQ is a rectangular apotheosis of geometric simplicity and respect for proportions. The steel surface of the mirror/sculpture intriguingly reflects light. 

The KARAVA vase undoubtedly shifts the standard way of flower exposition. It determines stalk placement, thus directing the whole composition.

It is a continuation of the series of PAROVA objects with the characteristic geometric basis of monoliths. The optically massive, tube-like legs are hollow inside.