MC16 - Forcina

CLERICI, Konstantin Grcic's second collection for Mattiazzi, radiates devout serenity. The main concept and the fascination of CLERICI lie in the grand simplicity of the design.

Primo epitomizes the archetypal chair. Its design comprises of only the most basic elements —four legs, seat and backrest—.

I observed that the power of the robot, the repetition of the machine and the skills of the craftsmen already have synchronised relationships at Mattiazzi, where each process is as carefully select

"Design is an unpredictable process. While designing the Zampa stools I never imagined we would add a chair and an armchair to the family.

DOPO is the second collection designed by Studio OE for Mattiazzi.

The design for the FACILE came about as a result of our quest to build a bridge between the product ranges in the Mattiazzi collection.

<<We designed an object in plain wood but not in regular plain wood, the quality of the wood literally makes the object, like the best piece of meat would make the refinement of a dish.>&g

MC19 Fronda by Sam Hecht & Kim Colin

The gently carved wooden pieces are held in place by bent metal rods - while wood remains the main actor, the metal parts play a fundamental role in the construction.

The concept and charm is a canvas sling suspended from a frame: the most simple construction and a surprisingly comfortable seating experience.

RADICE finds its underlying beauty and simplicity in its structure.

Designed by Foster + Partners in collaboration with the Italian manufacturer Mattiazzi, the chair brings together an honesty of materiality with a deep understanding of CNC technology to create a u

"The sustainable approach was to separate the materials and specify the components: wood, recycled feathers and fabric. Then I asked myself what comfort was, a backrest and a seat to sink into.

MC20 Cugino by Konstantin Grcic

"If you see it from the side, you could say that the frame is almost typographic, like a letter. The lines offabric cord are also very graphic; yet these lines distort as the body sits down.