Cavalieri

The Super lamp - designed by Martine Bedin in 1981 - can be dragged along like a dog on a leash (with an arched back resembling a stegosaurus), embodying the playful spirit of Memphis.

Nathalie Du Pasquier focuses on contrasting colors for Carrot, a cylindrical handpainted blue ceramic vase with two bands relying on decorative decals, sublimated in the kiln.

Roma, with its massive, solid and squared form, created by Marco Zanini in 1986, is an armchair produced in reinforced fiberglass and polyester with an iridescent finish, available in green or blac

Designed by Ettore Sottsass in 1984, Mimosa is a low wooden table faced in decorative laminate, where colored blocks intersect in a perpendicular arrangement to form a “giant” colored cubical playt

Created by Michele De Lucchi in 1981, at the time of the first exhibition of the Memphis group, Riviera is a chair that surprises us with its playful form: its base is composed of two blue crossed

Invented in 1982 by Peter Shire, Bel Air has an asymmetrical profile and vibrant color combinations.

Diva, the mirror designed by Ettore Sottsass in 1984, undoubtedly captures the attention of the person reflected, demanding active participation: in a narcissistic way, the viewer becomes part of t

Created in lacquered wood by George J.

The First chair, composed of a few parts, has been conceived in 1983 by Michele De Lucchi to be easily assembled and replicated: produced in a small series, it reinterprets the perfect combination

Created by Sottsass in 1981 Tahiti immediately became one of the great Memphis icons, in clear contrast with functionalism.

Designed by Ettore Sottsass in 1981, Ashoka is a table lamp with a heat-coated metal structure, featuring a bold combination of bright colors: green, yellow, blue, pink, combined with white.

Casablanca, designed in 1981 by Ettore Sottsass is a hybrid between a wardrobe and a bookcase, made in wood and decorative laminate with an unusual form.

A tame sea monster, or a set of fishing rods that intersect with colorful geometric forms, Oceanic has undoubtedly been created to light unconventional interiors.

A low serving table created in 1983 by Shiro Kuramata, Nara's structure is ironically contrasted by the texture of colored patches typical of terrazzo, a composite of cement and colored glass chose

The absolute Memphis icon, Carlton – designed by Ettore Sottsass in 1981 – fully represents the programmatic intentions of the group: the desire to break the rules of good design with an irreverent