It is clear that Michele Astolfi has a passion for zoomorphific creatures, the contemporary “animalia” exclusively created for Visionnaire. Butterflies, snakes, beetles, and amphibians trophies: heads and bodies printed on a surface in plexiglas with inlays in Murano glass artistically shaped,Swarovski crystals, mother of pearl, stones, steel and Abonos fossil wood.
Burly composition of padded elements marked by fluid and reverberating lines of ultrasound inspiration, which extends to the bedside tables in an osmotic way.
The Callia product family - consisting of floor lamp, table lamp and wall lamp - present a metallic leaf supported by a marble circular element.
In today's homes, the kitchen is a place of work but also conviviality. This concept inspired the design of the Mayfair foodroom by Alessandro La Spada.
The inspirational mood board for this collection is titled “Non voglio mica la Luna”- lit. I’m not asking for the moon, the name of the famous song by the Italian singer Fiordaliso.
Astrid, inspired by botany, seems to welcome us among its “leaves” that unfold to form seat and back.
Designed to accompany the table of the same family, Kylo chair replicates its unique features thanks to an ideally continuous ribbon of metal tubing wrapping the back and the seat.
Almost a sculpture, the Ekos console is a remarkable expression of the finest craftsmanship, a trait shared with the Kerwan table.
Evolution of the now iconic Farnese chair, the daybed is a sophisticated product with numerous handcrafted elements.
Miller is a new padded furniture, both sofa and sectional with well-defined characteristics.
The CaCO3 artistic collective conducts a rigorous research that stages multiple and unedited reformulations of the possibilities of the language of mosaic in the contemporary world.
A product characterized by a clear interaction between the padded element (comfort) and structural part (solidity-resistance).
The armchair presents a semi-circular padded shell, upholstered in Bansky velvet with the new “plush” effect, in verde rameggiato colour.
The Aurora high unit is a precious and elegant project that enriches the codes of the furnishing language.
The relationship between the exoskeleton and the full presence of the volumes is based on and contrasts with the presence of voids, not missing gaps but a new way of organizing graphic-compositiona