The rigorous architectural lines of Bastian give it a sense of composure and sober elegance. The accent is on fine details, precious sartorial touches of stitching and borders.
Designed to accompany the table of the same family, Kylo chair replicates its unique features thanks to an ideally continuous ribbon of metal tubing wrapping the back and the seat.
The CaCO3 artistic collective conducts a rigorous research that stages multiple and unedited reformulations of the possibilities of the language of mosaic in the contemporary world.
The Beloved bed, presented for the first time in 2016, has been reinterpreted with an impressive new headboard, a boiserie containing a horizontal niche compartment decorated by graphics on the the
The imagery that has inspired King’s Cross takes its cue from the meeting ofEast and West, in a collection composed of a low table, cupboard, console, bar cabinet and beauty desk.
The Legend sofa seeks an elegance beyond the fashions of the moment, the intent is to create a contemporary furniture that is already born as a classic.
The Stankar product family, consisting of sofa, armchair, rocking armchair and low table, presents an apparently “suspended” seat.The rope elements are tied to a metal frame that surrounds the enti
The sofa is made up of aggregated and clear volumes. The modular sofa is conceived with the same stylistic language.
Astrid, inspired by botany, seems to welcome us among its “leaves” that unfold to form seat and back.
Presented on the occasion of Miami Art Basel 2019, the armchairs represent the “prêt-à-porter” version of the throne and are offered in six color variants.
The Bastian bed was born from the expansion of the range of upholstered furniture (sofas, sectionals, armchairs, chaise-longues) which base their design on the “suspended elements”construction of a
A product characterized by a clear interaction between the padded element (comfort) and structural part (solidity-resistance).
The relationship between the exoskeleton and the full presence of the volumes is based on and contrasts with the presence of voids, not missing gaps but a new way of organizing graphic-compositiona