Amos

With an image that is organic and technical at the same time, the Jet Plane desk features aerodynamic lines that underscore the exclusive status of the project, also through careful selection of th

Freyr is a clear example of how to make a classic line contemporary.

This wellness unit reflects the new Visionnaire language that investigates the balance between material and form, tradition and contemporary spirit.

The Osborne boiserie is a sartorial interpretation of the wall that can be equipped and compatible with the various functions of the habitat: technology, functionality, aesthetics and aggregability

This smoked glass low table takes its originality from the particular shape of the three steel and marble bases.

Astrid, inspired by botany, seems to welcome us among its “leaves” that unfold to form seat and back.

The Rebel lighting family, designed by Alessandro La Spada, combines the inspiration of the project in the world of technology with the preciousness of craftsmanship and the uniqueness of a design

Aracea is a lamp inspired by a liana with large oval and heart-shaped leaves.

The distinguishing feature of this chair is certainly the V-shaped enveloping silhouette of the upholstery.

The Hemingway family is inspired by the serene elegance of the Hamptons: in this retreat away from the stresses of the metropolitan jungle, the pace is tuned to silence and relaxation.

The Callia product family - consisting of floor lamp, table lamp and wall lamp -  present a metallic leaf supported by a marble circular element. 

The relationship between the exoskeleton and the full presence of the volumes is based on and contrasts with the presence of voids, not missing gaps but a new way of organizing graphic-compositiona

The word “Lego” has a double meaning in Italian: it means to join, to link but it also recalls the famous game that brought together the childhood of countless children, including that of the desig

The Bastian bed was born from the expansion of the range of upholstered furniture (sofas, sectionals, armchairs, chaise-longues) which base their design on the “suspended elements”construction of a

A product characterized by a clear interaction between the padded element (comfort) and structural part (solidity-resistance).