Born from an enveloping and elegant design, the shell of this armchair is characterized by the union of a fluid and curved external surface that embraces a more generous and welcoming internal volume.
The inspirational mood board for this collection is titled “Non voglio mica la Luna”- lit. I’m not asking for the moon, the name of the famous song by the Italian singer Fiordaliso.
The rigorous architectural lines of Bastian give it a sense of composure and sober elegance. The accent is on fine details, precious sartorial touches of stitching and borders.
The Rebel lighting family, designed by Alessandro La Spada, combines the inspiration of the project in the world of technology with the preciousness of craftsmanship and the uniqueness of a design
Presented on the occasion of Miami Art Basel 2019, the armchairs represent the “prêt-à-porter” version of the throne and are offered in six color variants.
The Osborne boiserie is a sartorial interpretation of the wall that can be equipped and compatible with the various functions of the habitat: technology, functionality, aesthetics and aggregability
Almost a sculpture, the Ekos console is a remarkable expression of the finest craftsmanship, a trait shared with the Kerwan table.
The Hemingway family is inspired by the serene elegance of the Hamptons: in this retreat away from the stresses of the metropolitan jungle, the pace is tuned to silence and relaxation.
A product characterized by a clear interaction between the padded element (comfort) and structural part (solidity-resistance).
Miller is a new padded furniture, both sofa and sectional with well-defined characteristics.
The armchair presents a semi-circular padded shell, upholstered in Bansky velvet with the new “plush” effect, in verde rameggiato colour.
Burly composition of padded elements marked by fluid and reverberating lines of ultrasound inspiration, which extends to the bedside tables in an osmotic way.
This wellness unit reflects the new Visionnaire language that investigates the balance between material and form, tradition and contemporary spirit.
The relationship between the exoskeleton and the full presence of the volumes is based on and contrasts with the presence of voids, not missing gaps but a new way of organizing graphic-compositiona