The workmanship of the backrest in capitonné distinguish the armchair Nicole. The legs in black painted wood supports the structure highlighting a retro-style design.
Inspired by the shapes of the ’20s, Max summarizes and interprets the traditional capitonnè manufacturing, performed in collection pieces for the value and the handcraft skills necessary to realize
The aesthetic effect of the quilting of the backrest and bed frame, invites you to a spontaneous repose. Terence is developed along a compact structure that communicates solidity and softness.
The Scarlet armchair is characterized by its unique asymmetry of the armrests and a washable and removable melange fabric.
An intriguing story full of suggestions, an authentic work of weaving and creativity, a bed that lets you understand from its compact and sinuous shape a promise of peerless comfort like the headbo
Claude is the comfort of a chair and of a two- and three-seater sofa, characterized by rounded and elegant shapes and inclined feet that mirrors the lines of the armrests.
The Loren armchair, looking like a seductive film diva, combines refined design with creativity, which is expressed by unusual velvet.
Cliff is a truly precious bed enriched by a vintage effect of an anthracite grey leather and the Capitonnè manufacturing.
A bed that speaks a natural language focusing on the simplicity of a reassuring form. A gross grain piping draws the contrasting profiles and defines aesthetically their thickness.
On the one hand Amie evokes style and taste inspired by the iconic forms, on the other it captures the curved lines of the armrests, an entirely innovative aspect with futuristic features.
Alexander sofa collection along the entire perimeter of the structure maintains the same height and rigor and ends in an enveloping armrest, squared outside and rounded inside.
Terence XL, the surface of the backrest widens almost to become a soft, thick wall panelling. Soft and compact, a functional oxymoron that expresses a broad-minded comfort.
Essentiality as a value expressed by the name that determines its style and area of taste.
Ernest New softens the rigor of its forms with the curves that accompany the armrests to the seat.
The charm of the armchair in leather continues to resist finding new interpretative keys.