A whimsical, feminine seat: discreet and refined, calm and simple. The rounded shape is accentuated by the sumptuous fabric, velvet on the outside and boucle jacquard on the inside. Small living rooms are turned into luxurious spaces with the light coming from the polished brass.
The whimsical and feminine touch that defines the Isabelle chairs has been elevated in the form of a stool element.
We have looked at our most beautiful projects from another perspective: that of sleep.
Philo is a prefix of Greek origins that indicates love, propensity and empathy towards people and things.
A collection of poufs and coffee tables in metal rods and woven nautical cords, mixed together like the paints on an artist’s palette. The barrel and hourglass silhouettes come together to make up
The seating collection “Oltremare” designed by Antonio Marras and produced in collaboration with Saba, stems from a far-away past and place, full of history, recollection, memories overflowing with
The Ola stool adapts the same concept of curved sheets converging towards a single central point but this time in the form of a stool.
The Essentiel armchair was born with a clear mission: uncluttered, soft and welcoming, in design terms it magnificently fuses clean Scandinavian lines with traditional Italian flair.
A light, crisp and stylish table with a strong, clean design and an elegant, dainty spirit.
Metal base and MDF top. Available in a matt lacquered finish.
Sometimes a name can say a lot, sometimes it says everything. Geo is an all rounded armchair, the protagonist in a home.
Geo is an all rounded project. The proportions have been designed with upmost attention, a voluminous form is rested on a thin and elegant frame, like a nest.
The Geo collection is enriched with a fun element: a completely rounded armchair created utilizing the namesake pouf as its seat. The metal rod structure supports the curved padded wooden back.
Flow, adapt, create void, rearrange space, receive and renew indefinitely. The Avant‐Après seating is able to do it all.