Touch Down Unit

Designed for a contemporary and convivial setting,  Walter has its roots in the craftsmanship tradition typical of Scandinavian countries.

Azul Bench expresses the value of craftsmanship that is evident in the processing of raw materials of the highest quality, dictated by seams performed with care and passion.

Nicola Gallizia has designed the Azul bed, a perfect blend of aesthetics, tradition and modernity.

The D.859.1 table, designed primarily as a meeting table for up to ten people, stands out not only for its impressive size—over 3,60 meters long—but especially for its simple yet refined design.

The table Arc, designed by Foster + Partners in 2010,  embodies the innovative concepts which distinguish it.

Paul is a set of elegantly proportioned sofas with reassuring lines, elements that emphasize Vincent Van Duysen’s expressive rationality.

Ribbon is a fabulously soft textile bed with a young, modern design, using natural materials.

The Marteen is a multifunctional seating and storage system introducing harmony with perfectly balanced volumes, in an alternation of solids and voids.

Vincent van Duysen continues his research into the world of contemporary living by designing this Gregor modular system for Molteni&C.

MHC.2 is a re-edition of the bookcase prototype designed in 1959 by Yasuhiko Itoh. 

The armchair, on the other hand, was designed for one of the projects closest to Gio Ponti’s heart, the villa of the Planchart collectors in Caracas (1953-57).

Designed by Gio Ponti and produced for Altamira, an American company founded by the nephew of the Spaniard De Cuevas, was displayed in the company’s showroom in New York.

With his Hector project, Vincent Van Duysen makes his debut in the world of upright modular bookcases.

The new Collection represents the heart of contemporary living needs, where domestic spaces are versatile, multifunctional, and can be adapted and modelled according to use.

The Margou armchair is the ideal embodiment of the Belgian designer’s constant search for formal exasperation and aesthetic freshness.