Surf

Vincent van Duysen continues his research into the world of contemporary living by designing this Gregor modular system for Molteni&C.

From Gio Ponti’s house, located in via Dezza in Milan, the small table D.555.1, designed in 1954-1955, is produced by Molteni&C based on the original drawings from the ponti archives. 

Grid, fully satisfies this criterion of infinite modularity.

The armchair, on the other hand, was designed for one of the projects closest to Gio Ponti’s heart, the villa of the Planchart collectors in Caracas (1953-57).

The Chelsea chair summarises the essence of contemporary design and the memory of tradition.

The Tea chair is a tribute to lightness. The structure, completely made of solid wood, outlines and reveals the profile of the chair in its entirety.

Designed in 1953, the D.153.1 armchair is part of the furniture of Gio Ponti’s private house in via Dezza in Milan.

Azul Bench expresses the value of craftsmanship that is evident in the processing of raw materials of the highest quality, dictated by seams performed with care and passion.

The Marteen is a multifunctional seating and storage system introducing harmony with perfectly balanced volumes, in an alternation of solids and voids.

Fulham Road, in the heart of the City of London, gives its name to the bed that the Milanese designer has created for a comfortable and regenerating night’s sleep.

Filigree is a range of fixed size and extension tables. Glossy and matt diecast aluminium frames underpin tops enhanced by a wide range of finishes. 

Constantly changing scenarios give rise to Vibrazioni.

Paul is a set of elegantly proportioned sofas with reassuring lines, elements that emphasize Vincent Van Duysen’s expressive rationality.

Miss chair, designed by Afra and Tobia Scarpa in 1986. The form is linked to a system of soft, unbroken, linear rhythms.

Designed for a contemporary and convivial setting,  Walter has its roots in the craftsmanship tradition typical of Scandinavian countries.