Panna Cotta

Hector Night is a new project dedicated to the night area by Molteni&C. It originates from the Hector bookcase which features a strong modern and flexible expressive character.

Following the success of Gliss Master, Vincent Van Duysen has designed Master Dressing, a walk-in wardrobe system that completes the wide range of nightime systems offered by Molteni&C.

The ‘Corba’ rug stands out for its extremely original pattern, dictated by a figurative design that animates the project by playing harmoniously with lines featuring a strong geometric expressivene

The Tea chair is a tribute to lightness. The structure, completely made of solid wood, outlines and reveals the profile of the chair in its entirety.

Fulham Road, in the heart of the City of London, gives its name to the bed that the Milanese designer has created for a comfortable and regenerating night’s sleep.

Ron Gilad’s new collection of furnishings, Grado°, underlines the designer’s interest in basic geometric shapes. 45°/tavolino. 

Ponti designed this easy chair with slight variants for these ships.

Filigree is a range of fixed size and extension tables. Glossy and matt diecast aluminium frames underpin tops enhanced by a wide range of finishes. 

Architecture, a pan virtuosity, acrobatic proportions and an intersection of joints.

Marked by hand-painted white drawer fronts with applied handles in various wood kinds (elm, Italian walnut, mahogany and rosewood). 

From Gio Ponti’s house, located in via Dezza in Milan, the small table D.555.1, designed in 1954-1955, is produced by Molteni&C based on the original drawings from the ponti archives. 

MHC.1 is a new edition of the prototype of the first modern piece of furniture made by Molteni&C, the chest of drawers designed by Werner Blaser.

More than 70 years after its original design, the D.847.1 console table is reborn thanks to the Heritage Collection reissue project by Molteni&C, in collaboration with the Gio Ponti Archives.

Miss chair, designed by Afra and Tobia Scarpa in 1986. The form is linked to a system of soft, unbroken, linear rhythms.

Designed in 1953, the D.153.1 armchair is part of the furniture of Gio Ponti’s private house in via Dezza in Milan.