Panna Cotta, at once delicate and heavy, the paradox lies in the use of materials such as marble and iron to achieve a fragile stability.
A small table, either, oval or round, has a slight wave on top reminiscent of the typical Italian soft dessert, from which it takes its name.
The D.859.1 table, designed primarily as a meeting table for up to ten people, stands out not only for its impressive size—over 3,60 meters long—but especially for its simple yet refined design.
Designed in 1953, the D.153.1 armchair is part of the furniture of Gio Ponti’s private house in via Dezza in Milan.
With his Hector project, Vincent Van Duysen makes his debut in the world of upright modular bookcases.
The table Arc, designed by Foster + Partners in 2010, embodies the innovative concepts which distinguish it.
Rodolfo Dordoni has designed a new collection of contemporary armchairs, with new and enveloping shapes.
Jean Nouvel has designed a brilliant wall structure resolved in a single shelf anchored to the wall or to the ceiling.
MHC.1 is a new edition of the prototype of the first modern piece of furniture made by Molteni&C, the chest of drawers designed by Werner Blaser.
MHC.2 is a re-edition of the bookcase prototype designed in 1959 by Yasuhiko Itoh.
The Margou armchair is the ideal embodiment of the Belgian designer’s constant search for formal exasperation and aesthetic freshness.
Rodolfo Dordoni has designed a collection of chairs suitable for any space and circumstance.
Designed by Gio Ponti and produced for Altamira, an American company founded by the nephew of the Spaniard De Cuevas, was displayed in the company’s showroom in New York.
From Gio Ponti’s house, located in via Dezza in Milan, the small table D.555.1, designed in 1954-1955, is produced by Molteni&C based on the original drawings from the ponti archives.
The Tea chair is a tribute to lightness. The structure, completely made of solid wood, outlines and reveals the profile of the chair in its entirety.
The geometric lines of the Mosaico rug define the spaces, enclosing them in coloured sections marked by sophisticated contrasting shades.