Miss chair, designed by Afra and Tobia Scarpa in 1986. The form is linked to a system of soft, unbroken, linear rhythms.
Marteen coffee table
With the Marteen coffee table, primary and absolute geometry becomes the focus of the design.
The Margou armchair is the ideal embodiment of the Belgian designer’s constant search for formal exasperation and aesthetic freshness.
Rodolfo Dordoni has designed a new collection of contemporary armchairs, with new and enveloping shapes.
Panna Cotta, at once delicate and heavy, the paradox lies in the use of materials such as marble and iron to achieve a fragile stability.
The Tea chair is a tribute to lightness. The structure, completely made of solid wood, outlines and reveals the profile of the chair in its entirety.
Ron Gilad’s new collection of furnishings, Grado°, underlines the designer’s interest in basic geometric shapes. 45°/tavolino.
The geometric lines of the Mosaico rug define the spaces, enclosing them in coloured sections marked by sophisticated contrasting shades.
The table Arc, designed by Foster + Partners in 2010, embodies the innovative concepts which distinguish it.
Designed in 1953, the D.153.1 armchair is part of the furniture of Gio Ponti’s private house in via Dezza in Milan.
Jean Nouvel has designed a brilliant wall structure resolved in a single shelf anchored to the wall or to the ceiling.
With Horizons, a cupboard for the daytime area, Dante Bonuccelli proposes a different way of storing, and at the same time displaying much-loved objects.
Nicola Gallizia has designed the Azul bed, a perfect blend of aesthetics, tradition and modernity.
The new Collection represents the heart of contemporary living needs, where domestic spaces are versatile, multifunctional, and can be adapted and modelled according to use.