Following the success of Gliss Master, Vincent Van Duysen has designed Master Dressing, a walk-in wardrobe system that completes the wide range of nightime systems offered by Molteni&C.
Vincent van Duysen continues his research into the world of contemporary living by designing this Gregor modular system for Molteni&C.
The Chelsea chair summarises the essence of contemporary design and the memory of tradition.
The armchair, on the other hand, was designed for one of the projects closest to Gio Ponti’s heart, the villa of the Planchart collectors in Caracas (1953-57).
The Margou armchair is the ideal embodiment of the Belgian designer’s constant search for formal exasperation and aesthetic freshness.
Featuring clean and delicate lines, Janet is the latest design by creative director Vincent Van Duysen to join Molteni&C’s rich collection of chairs.
The new Collection represents the heart of contemporary living needs, where domestic spaces are versatile, multifunctional, and can be adapted and modelled according to use.
Since as far back as the 1950s, Molteni&C has been a leader in innovative solutions for the nighttime area, which include a wide choice of beds as well as complete and functional suggestions fo
Vincent Van Duysen has designed Louisa, a set of round and oval coffee tables in which the presence of both wood and cement conveys an innovative tactile and aesthetic effect.
More than 60 years after the original idea, Round (D.154.5) was reborn thanks to the Heritage Collection reissue project by Molteni&C, in collaboration with the Gio Ponti Archives.
With Horizons, a cupboard for the daytime area, Dante Bonuccelli proposes a different way of storing, and at the same time displaying much-loved objects.
Ron Gilad’s new collection of furnishings, Grado°, underlines the designer’s interest in basic geometric shapes. 45°/tavolino.
Designed by Gio Ponti and produced for Altamira, an American company founded by the nephew of the Spaniard De Cuevas, was displayed in the company’s showroom in New York.
The Tea chair is a tribute to lightness. The structure, completely made of solid wood, outlines and reveals the profile of the chair in its entirety.
Miss chair, designed by Afra and Tobia Scarpa in 1986. The form is linked to a system of soft, unbroken, linear rhythms.