Marteen coffee table
With the Marteen coffee table, primary and absolute geometry becomes the focus of the design.
The Chelsea chair summarises the essence of contemporary design and the memory of tradition.
Jean Nouvel has designed a brilliant wall structure resolved in a single shelf anchored to the wall or to the ceiling.
The D.859.1 table, designed primarily as a meeting table for up to ten people, stands out not only for its impressive size—over 3,60 meters long—but especially for its simple yet refined design.
The armchair, on the other hand, was designed for one of the projects closest to Gio Ponti’s heart, the villa of the Planchart collectors in Caracas (1953-57).
From Gio Ponti’s house, located in via Dezza in Milan, the small table D.555.1, designed in 1954-1955, is produced by Molteni&C based on the original drawings from the ponti archives.
Paul is a set of elegantly proportioned sofas with reassuring lines, elements that emphasize Vincent Van Duysen’s expressive rationality.
Ron Gilad’s new collection of furnishings, Grado°, underlines the designer’s interest in basic geometric shapes. 45°/tavolino.
Miss chair, designed by Afra and Tobia Scarpa in 1986. The form is linked to a system of soft, unbroken, linear rhythms.
Rodolfo Dordoni has designed a collection of chairs suitable for any space and circumstance.
Vincent van Duysen continues his research into the world of contemporary living by designing this Gregor modular system for Molteni&C.
A wool, silk and cashmere blanket made with a particular bouclè weave, which gives it a wavy and elaborate appearance.
Designed in 1956-1957, the bookcase is part of the furniture of Gio Ponti’s private house in Via Dezza in Milan.
Panna Cotta, at once delicate and heavy, the paradox lies in the use of materials such as marble and iron to achieve a fragile stability.