Grid, fully satisfies this criterion of infinite modularity. Research into the evolution of domestic space, also thanks to the presence of electronic devices that extend the perception of space.
Paul is a set of elegantly proportioned sofas with reassuring lines, elements that emphasize Vincent Van Duysen’s expressive rationality.
Designed for a contemporary and convivial setting, Walter has its roots in the craftsmanship tradition typical of Scandinavian countries.
Jean Nouvel has designed a brilliant wall structure resolved in a single shelf anchored to the wall or to the ceiling.
The ‘Corba’ rug stands out for its extremely original pattern, dictated by a figurative design that animates the project by playing harmoniously with lines featuring a strong geometric expressivene
Nicola Gallizia has designed the Azul bed, a perfect blend of aesthetics, tradition and modernity.
Designed in 1956-1957, the bookcase is part of the furniture of Gio Ponti’s private house in Via Dezza in Milan.
The D.859.1 table, designed primarily as a meeting table for up to ten people, stands out not only for its impressive size—over 3,60 meters long—but especially for its simple yet refined design.
The Chelsea chair summarises the essence of contemporary design and the memory of tradition.
The Margou armchair is the ideal embodiment of the Belgian designer’s constant search for formal exasperation and aesthetic freshness.
Fulham Road, in the heart of the City of London, gives its name to the bed that the Milanese designer has created for a comfortable and regenerating night’s sleep.
With his Hector project, Vincent Van Duysen makes his debut in the world of upright modular bookcases.
Architecture, a pan virtuosity, acrobatic proportions and an intersection of joints.