Wool and linen, materials from the most sophisticated tradition of carpet manufacturing, mixed in a new way for a new soft and bright feel.
Ron Gilad’s new collection of furnishings, Grado°, underlines the designer’s interest in basic geometric shapes. 45°/tavolino.
The Margou armchair is the ideal embodiment of the Belgian designer’s constant search for formal exasperation and aesthetic freshness.
The new Collection represents the heart of contemporary living needs, where domestic spaces are versatile, multifunctional, and can be adapted and modelled according to use.
The ‘Corba’ rug stands out for its extremely original pattern, dictated by a figurative design that animates the project by playing harmoniously with lines featuring a strong geometric expressivene
Marked by hand-painted white drawer fronts with applied handles in various wood kinds (elm, Italian walnut, mahogany and rosewood).
Miss chair, designed by Afra and Tobia Scarpa in 1986. The form is linked to a system of soft, unbroken, linear rhythms.
More than 60 years after the original idea, Round (D.154.5) was reborn thanks to the Heritage Collection reissue project by Molteni&C, in collaboration with the Gio Ponti Archives.
Designed by Gio Ponti and produced for Altamira, an American company founded by the nephew of the Spaniard De Cuevas, was displayed in the company’s showroom in New York.
The table Arc, designed by Foster + Partners in 2010, embodies the innovative concepts which distinguish it.
Vincent Van Duysen has designed Louisa, a set of round and oval coffee tables in which the presence of both wood and cement conveys an innovative tactile and aesthetic effect.
Nicola Gallizia has designed the Azul bed, a perfect blend of aesthetics, tradition and modernity.
Rodolfo Dordoni has designed a new collection of contemporary armchairs, with new and enveloping shapes.