Diamond

From Gio Ponti’s house, located in via Dezza in Milan, the small table D.555.1, designed in 1954-1955, is produced by Molteni&C based on the original drawings from the ponti archives. 

Ponti designed this easy chair with slight variants for these ships.

With Horizons, a cupboard for the daytime area, Dante Bonuccelli proposes a different way of storing, and at the same time displaying much-loved objects.

Alisee confirms Matteo Nunziati’s expressive rationality.

The Tea chair is a tribute to lightness. The structure, completely made of solid wood, outlines and reveals the profile of the chair in its entirety.

Constantly changing scenarios give rise to Vibrazioni.

Fulham Road, in the heart of the City of London, gives its name to the bed that the Milanese designer has created for a comfortable and regenerating night’s sleep.

Ron Gilad’s new collection of furnishings, Grado°, underlines the designer’s interest in basic geometric shapes. 45°/tavolino. 

Miss chair, designed by Afra and Tobia Scarpa in 1986. The form is linked to a system of soft, unbroken, linear rhythms.

The new Collection represents the heart of contemporary living needs, where domestic spaces are versatile, multifunctional, and can be adapted and modelled according to use.

Vincent van Duysen continues his research into the world of contemporary living by designing this Gregor modular system for Molteni&C.

Rodolfo Dordoni has designed a new collection of contemporary armchairs, with new and enveloping shapes. 

The Chelsea chair summarises the essence of contemporary design and the memory of tradition.

A wool, silk and cashmere blanket made with a particular bouclè weave, which gives it a wavy and elaborate appearance.

The D.859.1 table, designed primarily as a meeting table for up to ten people, stands out not only for its impressive size—over 3,60 meters long—but especially for its simple yet refined design.