The ‘Dedalo’ rug is characterised by a rigorous geometry and refined colours that are always the protagonists of the design, harmoniously integrating in the new everyday concept of the home.
The Margou armchair is the ideal embodiment of the Belgian designer’s constant search for formal exasperation and aesthetic freshness.
The Tea chair is a tribute to lightness. The structure, completely made of solid wood, outlines and reveals the profile of the chair in its entirety.
Azul Bench expresses the value of craftsmanship that is evident in the processing of raw materials of the highest quality, dictated by seams performed with care and passion.
Following the success of Gliss Master, Vincent Van Duysen has designed Master Dressing, a walk-in wardrobe system that completes the wide range of nightime systems offered by Molteni&C.
A new coordinated furnishing proposal for the Pass-Word, searching for maximum balance between formal rigour, high technological impact and maximum attention to detail.
Half a Square
A set of modern rectangular and square tables distinctly minimalists.
Designed in 1956-1957, the bookcase is part of the furniture of Gio Ponti’s private house in Via Dezza in Milan.
Vincent Van Duysen has designed Louisa, a set of round and oval coffee tables in which the presence of both wood and cement conveys an innovative tactile and aesthetic effect.
Designed for a contemporary and convivial setting, Walter has its roots in the craftsmanship tradition typical of Scandinavian countries.
The armchair, on the other hand, was designed for one of the projects closest to Gio Ponti’s heart, the villa of the Planchart collectors in Caracas (1953-57).
Vincent van Duysen continues his research into the world of contemporary living by designing this Gregor modular system for Molteni&C.
With his Hector project, Vincent Van Duysen makes his debut in the world of upright modular bookcases.