Architecture, a pan virtuosity, acrobatic proportions and an intersection of joints. An infinite table which is a geometric dialogue between the glass and rosewood – lightness and abstraction distilled.
Azul Bench expresses the value of craftsmanship that is evident in the processing of raw materials of the highest quality, dictated by seams performed with care and passion.
The D.859.1 table, designed primarily as a meeting table for up to ten people, stands out not only for its impressive size—over 3,60 meters long—but especially for its simple yet refined design.
The Margou armchair is the ideal embodiment of the Belgian designer’s constant search for formal exasperation and aesthetic freshness.
Rodolfo Dordoni has designed a new collection of contemporary armchairs, with new and enveloping shapes.
The table Arc, designed by Foster + Partners in 2010, embodies the innovative concepts which distinguish it.
The Marteen is a multifunctional seating and storage system introducing harmony with perfectly balanced volumes, in an alternation of solids and voids.
With Horizons, a cupboard for the daytime area, Dante Bonuccelli proposes a different way of storing, and at the same time displaying much-loved objects.
Half a Square
A set of modern rectangular and square tables distinctly minimalists.
Fulham Road, in the heart of the City of London, gives its name to the bed that the Milanese designer has created for a comfortable and regenerating night’s sleep.
From Gio Ponti’s house, located in via Dezza in Milan, the small table D.555.1, designed in 1954-1955, is produced by Molteni&C based on the original drawings from the ponti archives.
Designed for a contemporary and convivial setting, Walter has its roots in the craftsmanship tradition typical of Scandinavian countries.
The geometric lines of the Mosaico rug define the spaces, enclosing them in coloured sections marked by sophisticated contrasting shades.
With his Hector project, Vincent Van Duysen makes his debut in the world of upright modular bookcases.