A series of comfortable chairs suitable for all sorts of settings. The design is based on a built-in padded seat, open or complete with armrests, the rigid polyurethane frame of which can be upholstered in fabric, leather, or alternatively the two materials that highlight the wrap-around shape of the chair.
More than 70 years after its original design, the D.847.1 console table is reborn thanks to the Heritage Collection reissue project by Molteni&C, in collaboration with the Gio Ponti Archives.
MHC.1 is a new edition of the prototype of the first modern piece of furniture made by Molteni&C, the chest of drawers designed by Werner Blaser.
From Gio Ponti’s house, located in via Dezza in Milan, the small table D.555.1, designed in 1954-1955, is produced by Molteni&C based on the original drawings from the ponti archives.
Touch Down Unit
Touch Down Unit, an innovative workstation designed by Studio Klass and originally thought for advanced work environments and produced by UniFor (company of the Molteni Group), has become part of t
True to their policy of designing eco-friendly buildings and furnishings, Foster + Partners have come up with a set of tables for contemporary settings.
A new coordinated furnishing proposal for the Pass-Word, searching for maximum balance between formal rigour, high technological impact and maximum attention to detail.
Architecture, a pan virtuosity, acrobatic proportions and an intersection of joints.
A range of tables with folded legs like a delicate origami, available both in rectangular and square shapes.
Designed originally for the Fondation Cartier in Paris, the LessLess tables stand out for intrinsic elegance and light lines in every environment.
More than 60 years after the original idea, Round (D.154.5) was reborn thanks to the Heritage Collection reissue project by Molteni&C, in collaboration with the Gio Ponti Archives.
MHC.2 is a re-edition of the bookcase prototype designed in 1959 by Yasuhiko Itoh.
The Margou armchair is the ideal embodiment of the Belgian designer’s constant search for formal exasperation and aesthetic freshness.