Azul Bench expresses the value of craftsmanship that is evident in the processing of raw materials of the highest quality, dictated by seams performed with care and passion.
Architecture, a pan virtuosity, acrobatic proportions and an intersection of joints.
Panna Cotta, at once delicate and heavy, the paradox lies in the use of materials such as marble and iron to achieve a fragile stability.
The D.859.1 table, designed primarily as a meeting table for up to ten people, stands out not only for its impressive size—over 3,60 meters long—but especially for its simple yet refined design.
Designed for a contemporary and convivial setting, Walter has its roots in the craftsmanship tradition typical of Scandinavian countries.
Designed in 1953, the D.153.1 armchair is part of the furniture of Gio Ponti’s private house in via Dezza in Milan.
Marked by hand-painted white drawer fronts with applied handles in various wood kinds (elm, Italian walnut, mahogany and rosewood).
Wool and linen, materials from the most sophisticated tradition of carpet manufacturing, mixed in a new way for a new soft and bright feel.
Miss chair, designed by Afra and Tobia Scarpa in 1986. The form is linked to a system of soft, unbroken, linear rhythms.
Jean Nouvel has designed a brilliant wall structure resolved in a single shelf anchored to the wall or to the ceiling.
From Gio Ponti’s house, located in via Dezza in Milan, the small table D.555.1, designed in 1954-1955, is produced by Molteni&C based on the original drawings from the ponti archives.
More than 70 years after its original design, the D.847.1 console table is reborn thanks to the Heritage Collection reissue project by Molteni&C, in collaboration with the Gio Ponti Archives.