Ron Gilad’s new collection of furnishings, Grado°, underlines the designer’s interest in basic geometric shapes. 45°/tavolino.
Vincent Van Duysen has designed Louisa, a set of round and oval coffee tables in which the presence of both wood and cement conveys an innovative tactile and aesthetic effect.
Marked by hand-painted white drawer fronts with applied handles in various wood kinds (elm, Italian walnut, mahogany and rosewood).
Panna Cotta, at once delicate and heavy, the paradox lies in the use of materials such as marble and iron to achieve a fragile stability.
Azul Bench expresses the value of craftsmanship that is evident in the processing of raw materials of the highest quality, dictated by seams performed with care and passion.
Miss chair, designed by Afra and Tobia Scarpa in 1986. The form is linked to a system of soft, unbroken, linear rhythms.
MHC.1 is a new edition of the prototype of the first modern piece of furniture made by Molteni&C, the chest of drawers designed by Werner Blaser.
Designed for a contemporary and convivial setting, Walter has its roots in the craftsmanship tradition typical of Scandinavian countries.
Nicola Gallizia has designed the Azul bed, a perfect blend of aesthetics, tradition and modernity.
A new coordinated furnishing proposal for the Pass-Word, searching for maximum balance between formal rigour, high technological impact and maximum attention to detail.
Paul is a set of elegantly proportioned sofas with reassuring lines, elements that emphasize Vincent Van Duysen’s expressive rationality.
Ribbon is a fabulously soft textile bed with a young, modern design, using natural materials.
A range of tables with folded legs like a delicate origami, available both in rectangular and square shapes.