Iola

Soda was born upside-down, with a puff of air. It weighs 20 kilos, and it is blown, drawn out and shaped by three master glassmakers.

Ozz got shy, didn‘t she? Here it is in a small desk version, with an adjustable lampshade to be flexible even taking up minimum space. Even more enjoyable in its compactness.

Like the Roman playwright after which it is named, Plauto scans the past seeking ideas for the future.

Superpop likes to turn plastic into art using a combination of recycling and colour.

A dense, enveloping design, lightened by sleek lines that reach for the sky: the two teardrop arms are a key feature of the seat, armchair and lounge chair, each with different types of bases suita

Ozz is made of light and stone. It shifts from shy domesticity to become central to the home, proving itself a key figure, with its large, look-at-me arc.

Concentric centres ripple out from a minimalist design, playing with the transparencies of cast glass.

In Pinto fragments of marble and stone lie beneath a gentle, majestic surface: made using recyclable and reusable cement, a contemporary material that can handle any weather conditions, making it s

It is still Soda, but it wants to get up close and personal: you can extend it by matching pieces together, or create sophisticated compositions by mixing the different shapes.

Coque has a taste for dynamic, rich contrasts. The mirror is protected by a ceramic shell, which embraces two opposing finishes: glossy and matt.

Juice is a monumental table with a meditative air. Its essence lies in the base, where the long wooden legs attach to a ring, encircling it.

Ozz works in many ways.

Its defining aesthetic is given by the juxtaposition of curves and straight lines, creating a strong sense of identity and minimalist spirit, inspired by 20th-century Austrian chairs.