LOU LOU GHOST

“Light is a thing that cannot be reproduced but must be represented by something else – by colour,” as Paul Cézanne said.

The Colonna stool is included in the "Kartell goes Sottsass - A Tribute to Memphis" collection, launched in homage to the movement founded by design guru Ettore Sottsass. 

Q/Wood is the armchair from the Smart Wood collection, with enveloping lines that create soft armrests and offer maximum seating comfort.

A collection of decorative vases composed of a vase and a table centre, distinctive for their elegant geometry and art deco inspiration

A.I. is the chair created for the first time ever using 100% recycled material, in which aesthetics and structural requirements remain unaltered, blending seamlessly with generative design.

Goodnight revisits the candle in its primordial form and transforms it into a highly technological object.

Smatrik, the latest interpretation of a chair, designed by Tokujin Yoshioka.

The EUR stool is a cube printed with shapes and geometries inspired, to scale, by Italian rationalist architecture of the 1930s and 40s.

Battery is a compact table lamp innovatively characterised by the fact that it is 100% rechargeable thanks to a simple electric plug, with up to eight hours of battery life.

A series of rectangular two-dimensional wall mirrors which bring to mind milled crystal frames.

Pumo is a brand-new multi-purpose container that recalls the shapes of the traditional Apulian object of good omen, now revised for Kartell with a multi-faceted lid, also ideal as a centrepiece

Pumo is a brand-new multi-purpose container that recalls the shapes of the traditional Apulian object of good omen, now revised for Kartell with a multi-faceted lid, also ideal as a centrepiece.

Charles Ghost is the stool that mirrors the shape of traditional 19th century seats. The line of the leg is rounded and slightly curled, an icon of the classic stool.

A multi-faceted vase widening from the base to the top in a swirling motion.

The Masters chair is a clear tribute to three symbol-chairs, reworked and reinterpreted by Starck’s creative genius.