COLONNA

The sustainable lightness of wood. Conceived by the insight of Philippe Starck and made possible by Kartell’s advanced technology, the Wood family is growing.

Battery is a compact table lamp innovatively characterised by the fact that it is 100% rechargeable thanks to a simple electric plug, with up to eight hours of battery life.

The A.I. family is growing too, with the addition of A.I. STOOL, a product made from recycled material with a clear focus on comfort thanks to a broad, welcoming seat.

The EUR stool is a cube printed with shapes and geometries inspired, to scale, by Italian rationalist architecture of the 1930s and 40s.

A multi-faceted vase widening from the base to the top in a swirling motion.

Sparkle, available in two versions, can be used as a stool or side table. The particular pleating of the material enhances the line and transforms it into a precious accessory.

Shibuya vases have a pierced lid that can transform them into table accessories and not just decorative objects.

The mini and rechargeable version of the Planet lamp is introduced in the lighting collection, characterized by the slightly ovoid shape of the diffuser characterized by a faceted surface both insi

Lightness is the watchword of the table clock "Air du Temps" inhabited by hollows and light. A simple elegant object that fits perfectly into any setting.

Maxi version of the night lamp with dimmer switch, 100% rechargeable thanks to a simple electrical plug which offers up to 8 hours of power.

The special feature of this series lies in the conformation of the surface material which enhances the core that looks like jelly, just as the name suggests, evocative of the forms used in pastry-m

A.I. is the chair created for the first time ever using 100% recycled material, in which aesthetics and structural requirements remain unaltered, blending seamlessly with generative design.

Geen-a is Kartell's reading lamp, supplementing the brand’s lighting range with a product designed for this specific purpose.

“Light is a thing that cannot be reproduced but must be represented by something else – by colour,” as Paul Cézanne said.

The special feature of this series lies in the conformation of the surface material which enhances the core that looks like jelly, just as the name suggests, evocative of the forms used in pastry-m