The name and the X that distinguish the front of this chair are a clear reference to Charles and Ray Eames. The comfortable curved plywood seat is supported by a sled made of wood or chrome rod, giving the Ray chair a strong aesthetic presence.
The ‘93-’08 bookcase features a solid wood structure that never breaks the MDF shelves flow nor resorts to backs. The result is a composition of great visual lightness and excellent stability.
Blend wardrobe features doors with evenly-spaced, thin sheets of MDF, that create a dynamic effect.
Tout Le Jour Sofa
Tout le Jour, designed by Marc Thorpe, stands out for its elegant and minimal connotations, embellished by a careful and refined choice of materials.
Tide Comò reflects the style of its designer, Karim Rashid, who worked with various movements and dynamics in this project.
Ripples, winner of the 2004 Compasso d’Oro, is made of a laminated composite of five different solid woods.
Bolero is characterized by dimensional versatility combined with experimentation of innovative materials such as Fenix. Its main characteristic is the aesthetic and structural lightness.
QuaDror Sculpture is a piece of art born from the creativity of Dror Benshetrit representing with its geometrical forms the fil rouge of the collection QuaDror.
Tide Buffet reflects the style of its designer, Karim Rashid, who worked with various movements and dynamics in this project.
Albino Family Marble
Albino Family is a series derived from the Albino Torch sidetable, designed in 2010 by Salvatore Indriolo.
The Mass Pressure armchair (design by Dror) is the result of compression as a means of transforming a cubic meter of foam rubber into a functional object.
Ragtime is part of the accessories designed by Roberto Palomba and Ludovica Serafini to accompany their collection of Horm modular sofas. Structure in bronze painted metal.
Miles is one of the five families of the sectional sofa collection designed by Ludovica+Roberto Palomba.
Movement and flexibility summarize the emotional power of Toyo Ito, who in this sculpture-bookcase captures the design essence of Sendai’s media centre (Japan), which he designed and used as inspir
Coffee tables made with technical materials, unvarnished hard metal and ceramic for a post-industrial look.