The name and the X that distinguish the front of this chair are a clear reference to Charles and Ray Eames. The comfortable curved plywood seat is supported by a sled made of wood or chrome rod, giving the Ray chair a strong aesthetic presence.
Conceived by Orlandini Design in homage to Charles and Ray Eames, Ray chair has come of age as Ray Poltroncina (armchair). The arms in the original design have been enlarged to become armrests.
Riddled front is the result of an advanced technological process, patented by Horm.
The perfect fit of six strips of solid wood is what characterizes Woodclock, a construction that metaphorically represents the perfect blending of daily tasks.
J-Table features a leg playing with asymmetric orthogonal lines that can be used as a bookcase.
Miles is one of the five families of the sectional sofa collection designed by Ludovica+Roberto Palomba.
One might say that Horm dances the twist rhythm with the Burtscher & Bertolini hanger. Indeed, the eight beech slats in its structure bend and twist as if they were dancing.
Ellington is one of the five families of the sectional sofa collection designed by Ludovica+Roberto Palomba.
In the Japanese culture, the ki represents the energy found in every element. It is the inspiration for the challenging formal research that Mario Bellini solved with refined and modern taste.
Tide Comò reflects the style of its designer, Karim Rashid, who worked with various movements and dynamics in this project.
The name refers to Franco Albini and to his TN6 Cicognino, produced back in 1952.
Barbara is a table with an oval or round top in emperador or marquinia marble and a central concrete base.
Ute mirrors can be hung horizontally, vertically or, in larger sizes, placed on the floor.
While he was working on the construction of a frame composed of two intersecting surfaces, Dror stumbles into a fascinating discovery: the material, skilfully cut and combined together generates a