SESS
Category: Sofas and armchairs

SESS by Nani Prina (1968), ©Gufram
SESS by Nani Prina (1968), ©Gufram

SESS by Nani Prina (1968), ©Gufram

SESS by Nani Prina (1968), ©Gufram

SESS by Nani Prina (1968), ©Gufram

SESS by Nani Prina (1968), ©Gufram

SESS by Nani Prina (1968), ©Gufram

SESS by Nani Prina (1968), ©Gufram

SESS by Nani Prina (1968), ©Gufram

BORING CACTUS® has entered Gufram’s family on a cold, monotonous office day. The brilliance of Drocco and Mello’s original creation now transforms into a grey hue with a matte finish.

From the historic PRATONE® to the emblematic CACTUS®, from the sultry BOCCA® and the memorable CAPITELLO to the mysterious BROKEN MIRROR, Guframini offers aficionados a chance to own a slice of Ita

STEAM TABLE is a small table that challenges traditional concepts of perception and proportion.

Designed in 1968 by Piero Gilardi, SASSI introduce elements of the great outdoors into living space in the form of remarkably realistic “stones” of varying sizes.

Challenging the conventional perception of mirrors, the BROKEN MIRROR by Gufram and Snarkitecture is a mesmerizing work of art, combining a reflective surface with a soft polyurethane frame to crea

A lake seen from above, a snow-covered crater, a soft crack in the rock, the flickering silhouette of a flame: SCULPTED MIRROR, designed by Snarkitecture, is an irrational and irregular figure achi

From the historic PRATONE® to the emblematic CACTUS®, from the sultry BOCCA® and the memorable CAPITELLO to the mysterious BROKEN MIRROR, Guframini offers aficionados a chance to own a slice of Ita

Designed by Guido Drocco and Franco Mello in 1972, CACTUS® has revolutionized domestic landscapes and creative interiors alike.

From the historic PRATONE® to the emblematic CACTUS® to the sultry BOCCA® and the memorable MAgriTTA and CAPITELLO, Guframini offers aficionados a chance to own a slice of Italian design history in

Experience the infinite allure of BOCCA® Unlimited, the latest interpretation of the legendary BOCCA® by Studio 65.

MANO by Cinzia Ruggeri: an open hand standing on itself, to be interpreted as an intimidation to stop, an informal salute; or, if placed horizontally, as a tentacular chair.

Similar to the 1971 PRATONE® by Ceretti, Derossi and Rosso, the new PRATONE® Infinito has novel features: it is not limited edition and is produced in series, without sacrificing the brilliance and

The CAPITELLO lounge chair, ATTICA armchair, and ATTICA TL coffee table by Studio 65 are designed by “deconstructing” a traditional Grecian column.