It is a soft embrace but also movement to the nth degree. Adaptable to the users’ desires. Its key element is the smart cushion, adjustable at will and separately, it allows total freedom of positions.
Its beauty lies in the choice of natural materials and the apparent simplicity of construction.
An icepack as a base. A bear lying on its side as a backrest. The seat is covered with a special fabric that recalls the ice layers.
ON THE ROCKS
Spacious and completely free of any rigid structure. The seats in Gellyfoam® and other foams, molded by hand, provide an amazing coziness.
Mirror coating and pure volume make it almost “immaterial”. It adapts to any environment, classic or contemporary, blending in and increasing the prospect thanks to its reflexes.
Precious like an embroidery. Protective like a nest. Impressive, important and at the same time visually light, thanks to the polycarbonate.
Extraordinary for its ability to play with light, assumes different shades and shines when placed near light sources. A welcoming molded shell, different all the time, with a rotating base.
Light and color spun by the artist Jacopo Foggini in this outdoor and indoor armchair.
It is a nest of “coral” with irregular wide seat, formed by the weaving of stainless steel wire bent by hand, a work of such complexity to require an entire week.
A splinter. A fragment of faceted glass with a thick, irregular edge. Available in various shapes and sizes. Series of glass tables with irregular, elliptical or round tops.
Coffee tables with alabaster top and irregular and jagged edges because they are cut by the crude “egg” of the mineral, available in different heights and colors.
It is a primary sofa, contained in size. It is “flexible” because, thanks to the “smart”cushion, it can be shaped to all possible uses. Its elegance transcends emotion.
Sofa with traditional size and shape. Great stability ensured by the steel frame mounted on steel bars. Padding constituted by a balanced mix of goose down combined with Gellyfoam®.
A table in alabaster, lit as the full moon. The edge is carefully polished, the gaze is captured by its veined, natural surface.