Rose-shaped and as precious as a creation of haute couture. The “petals” are filled individually by hand to make the seat cozy and welcoming. The velvet covering recalls the petals of a rose.
Extraordinary for its ability to play with light, assumes different shades and shines when placed near light sources. A welcoming molded shell, different all the time, with a rotating base.
It is a polymorphic lamp. Sinuous and slender with very long legs. It is precious, coated with “pure gold.” It has a stem that branches out like a tree. It is an artistic lamp, a sculpture.
Precious containers of different sizes, tall or low, with doors and chest of drawers. The internal structure is of wood lacquered with special enamel.
Flower shaped stool with slanted stem to form the bearing support. Contemporary design. Pedestal oriented diagonally. Soft and cozy seat for this elegant and comfortable “flower.”
Mirror coating and pure volume make it almost “immaterial”. It adapts to any environment, classic or contemporary, blending in and increasing the prospect thanks to its reflexes.
It is a soft embrace but also movement to the nth degree. Adaptable to the users’ desires.
ON THE ROCKS
Spacious and completely free of any rigid structure. The seats in Gellyfoam® and other foams, molded by hand, provide an amazing coziness.
An icepack as a base. A bear lying on its side as a backrest. The seat is covered with a special fabric that recalls the ice layers.
This chair is the unique result obtained from a completely manual process. The oversized upholstery creates different ripples every time for an armchair with unique and evocative graphics.
Liquid like whiskey. Warm amber tones as the leaves of tobacco wrapped in transparent crystal. Each chair of the Jacopo Foggini Collection is a sculpture unlike any other. Timeless elegance.
Elegant and convenient, thanks to the "intelligent" cushion used for the backrest that can be molded in any direction. Versatile and pure. Timeless, a contemporary classic since its birth.
SOFA' GRAN KHAN
This version, with a leather cloak thrown over to cover it, alludes to the makeshift beds in the Mongolian tents.
It is a point of union between rigid and flexible, this chair molded in polyurethane with an internal metal frame.