GRINZA

Coffee tables with alabaster top and irregular and jagged edges because they are cut by the crude “egg” of the mineral, available in different heights and colors.

It is a primary sofa, contained in size. It is “flexible” because, thanks to the “smart”cushion, it can be shaped to all possible uses. Its elegance transcends emotion.

Delicate in appearance, in the shape of a lily, the chair hides a solid frame of molded steel. The padding gives it soft warmth, accented by velvet covering like the petals of a flower.

It is a point of union between rigid and flexible, this chair molded in polyurethane with an internal metal frame.

An original typology of sofa contained in only fourteen centimeters of depth, that renews the traditional concept of sitting, and multiplies performance.

A table in alabaster, lit as the full moon. The edge is carefully polished, the gaze is captured by its veined, natural surface.

Precious like an embroidery. Protective like a nest. Impressive, important and at the same time visually light, thanks to the polycarbonate.

Based on the Tatlin tower, this sofa deserves to be placed at the center of the space. A totem that suggests new ways of sitting.

Inspired by the dynamics of a musical movement, it has a unique and irregular shape.

This version, with a leather cloak thrown over to cover it, alludes to the makeshift beds in the Mongolian tents.

Sofa with traditional size and shape. Great stability ensured by the steel frame mounted on steel bars. Padding constituted by a balanced mix of goose down combined with Gellyfoam®.

Large hanging wall mirror, suspended from above with a wall mount that keeps it distant from the wall, for major emphasis.

Armchair in the name of softness. It is soft like a comforter and enveloping like a hug. It redefines the same idea of conviviality giving absolute comfort and relaxation.

Chair with armrests, entirely handmade in polycarbonate. The stem is black. The petals of transparent and soft hues.

Mirror coating and pure volume make it almost “immaterial”. It adapts to any environment, classic or contemporary, blending in and increasing the prospect thanks to its reflexes.