Generous proportions and a friendly, soft but still very architectural geometry: this is what defines Tokio Soft.
Inspired by the elegant aesthetics of bridges, but also by the famous works of the great architect and designer from Milan with the same name.
Symbol of comfort, Fiorenza armchair appears in Pirelli's 1950s advertisement as symbol of the foam rubber potential, considered at that time the most technologically advanced material used in upho
To remain faithful to this search for interior honesty, the design of this collection reveals its constructive method.
Papillon applique lamp plays with transparencies, colours and geometric shapes.
Carlo Colombo signs a large size and particularly comfortable seating system, inspired by the high peaks, but characterized by a great formal elegance.
For the design of the “Threshold” screen series, Neri&Hu proposes a free-standing partition that plays with structure, materiality, and dimensionality.
Slow waves, rolling hills, soothing pulse: kind, soft, iconic - soft beat.
Jules & Jim
Jules & Jim are two simple armchairs, with a high seating comfort. Jules is the small version and Jim the larger version.
A linear and modular sofa, characterized by simple and sober elegance, which makes it comfortable in the dimensions in the living and hospitality spaces.
Supplì, designed by Luca Nichetto, is an inviting and elegant armchair; the soft and sinuous curves give off heat and embody a spatial anchoring, almost perfect for rest and relaxation.
A sofa with a minimalist and rigorous structure, for a comfortable and, at the same time, decorative effect.
The seat was born from a very simple idea: two tubes bent into a “U” shape and connected together by a joint.
Delfino armchair by Erberto Carboni is a significant example of the so-called "organic" furniture, which develops in the 1950s and draws inspiration from the forms of nature.
Floating on an upturned edge, reminiscent of the dress collar known in France with the name of "col Claudine".