Serenity, simplicity, materiality, modularity are some of the key words of Rendez-Vous. Its overall formal rigor is accompanied by the exuberance of the internal softness, as trying to hug and hold the body and the pleasure of comfort.
The continuous search for elegance and simplicity has brought the architect Carlo Colombo to the realization of Katrin armchair, conceived as a body to be dressed with an elegant and luxurious dres
Banah sofa is born as a personal tribute, with the intent to create a bold design, that breathes references to all the icons of the company.
Neptunia collection was designed in the 1950s, as a continuous line of Elettra's series, to offer a wide choice to design offices and public spaces.
Rigorous shape for the seating system Naviglio, but pleasantly softened in the lines, thanks to a competent use of the materials.
Inspired by the elegant aesthetics of bridges, but also by the famous works of the great architect and designer from Milan with the same name.
The extreme formal essentiality of these upholstered elements, designed in 1976 by the architect Mario Marenco, still makes them a very current model.
The seat was born from a very simple idea: two tubes bent into a “U” shape and connected together by a joint.
A classic of the '50s office, Elettra is the armchair you can't do without. Thanks to its timeless style and its elegant proportions, it adapts perfectly to any environment.
Cradle's characteristic is based on the structure : a classical triangular construction, that is repeated several times around the models.
Cini Boeri designed Botolo in 1973, giving life to a new design style, where you could choose the height of the legs to have a dining chair in the high version or a style, at that time modern, "the
Alba is a bookcase for displaying and containing, with exceptional compositional versatility. The shelves, thanks to the fixing elements with a single pin, allow to create round compositions.
The hug, the friendly and welcoming gesture, seen more clearly in the "open - armed" of the armrests, is meant as a universal invitation: "come, sit with me a while and I will put you at ease".
Delfino armchair by Erberto Carboni is a significant example of the so-called "organic" furniture, which develops in the 1950s and draws inspiration from the forms of nature.
It is possible to create a very large possibility of proposals with a personal character, maintaining the aesthetical and functional point of view, that place themselves individually in very differ