Very versatile seating system with the possibility of creating dynamic compositions, thanks to the versions of the backrests.
Cradle's characteristic is based on the structure: a classical triangular construction, that is repeated several times around the models.
Banah sofa is born as a personal tribute, with the intent to create a bold design, that breathes references to all the icons of the company.
Neptunia collection was designed in the 1950s, as a continuous line of Elettra's series, to offer a wide choice to design offices and public spaces.
Symbol of comfort, Fiorenza armchair appears in Pirelli's 1950s advertisement as symbol of the foam rubber potential, considered at that time the most technologically advanced material used in upho
A sofa with a minimalist and rigorous structure, for a comfortable and, at the same time, decorative effect.
A classic of the '50s office, Elettra is the armchair you can't do without. Thanks to its timeless style and its elegant proportions, it adapts perfectly to any environment.
Jules & Jim
Jules & Jim are two simple armchairs, with a high seating comfort. Jules is the small version and Jim the larger version.
The special form is inspired by a leaf falling from a tree, that becomes a symbol of comfort. It invites you to take a rest and relax.
The seat was born from a very simple idea: two tubes bent into a “U” shape and connected together by a joint.
Seating system with a comfortable line, where its structure can be enriched by the manual weave of the cowhide, in order to give an elegant scene to the sofa.
The architect Cini Boeri tells that she was inspired by Christo Vladimirov Javasev's and Jeanne-Claude Denat de Guillebon's works, masters in the art of landscape painting.
Bonsai is inspired by reflection upon Japanese aesthetics and culture. The seat is characterized by soft and curved shapes, reminiscent of clouds.
arﬂex, always engaged in a constant work of research and realizations, presents 9000 by Tito Agnoli, a series of compact and variously articulated seats.
For the design of the “Threshold” screen series, Neri&Hu proposes a free-standing partition that plays with structure, materiality, and dimensionality.