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The seat was born from a very simple idea: two tubes bent into a “U” shape and connected together by a joint.

Supplì, designed by Luca Nichetto, is an inviting and elegant armchair; the soft and sinuous curves give off heat and embody a spatial anchoring, almost perfect for rest and relaxation.

Cini Boeri designed Botolo in 1973, giving life to a new design style, where you could choose the height of the legs to have a dining chair in the high version or a style, at that time modern, "the

At the end of the '60s, the architect Cini Boeri revolutionizes the furniture market with her model, that is now an "evergreen": the seating system Strips.

arflex, always engaged in a constant work of research and realizations, presents 9000 by Tito Agnoli, a series of compact and variously articulated seats.

B.B.P.R. studio designed the armchair Giulietta with all the characteristics of arflex production: deep study of the line and absolute comfort, without forgetting the elegance.

For the design of the “Threshold” screen series, Neri&Hu proposes a free-standing partition that plays with structure, materiality, and dimensionality.

“She can look smart for when she goes to work, dressed up when going to a party, or put on something cosy when staying in. Dress her as you want her to be!”

Floating on an upturned edge, reminiscent of the dress collar known in France with the name of "col Claudine".

A classic of the '50s office, Elettra is the armchair you can't do without. Thanks to its timeless style and its elegant proportions, it adapts perfectly to any environment.

A linear and modular sofa, characterized by simple and sober elegance, which makes it comfortable in the dimensions in the living and hospitality spaces.

Jules & Jim are two simple armchairs, with a high seating comfort. Jules is the small version and Jim the larger version.

We are at the end of the ‘50s: an interesting series of armchairs and sofas, designed by Roberto Menghi and called Hall, joins arflex collection.

Modular system designed around the classical geometry of the arch, employing from the beginning the disciplined use of the arch to create something more organic.

The architect Cini Boeri tells that she was inspired by Christo Vladimirov Javasev's and Jeanne-Claude Denat de Guillebon's works, masters in the art of landscape painting.