The continuous search for elegance and simplicity has brought the architect Carlo Colombo to the realization of Katrin armchair, conceived as a body to be dressed with an elegant and luxurious dress.
The hug, the friendly and welcoming gesture, seen more clearly in the "open - armed" of the armrests, is meant as a universal invitation: "come, sit with me a while and I will put you at ease".
Rigorous shape for the seating system Naviglio, but pleasantly softened in the lines, thanks to a competent use of the materials.
Slow waves, rolling hills, soothing pulse: kind, soft, iconic - soft beat.
Neptunia collection was designed in the 1950s, as a continuous line of Elettra's series, to offer a wide choice to design offices and public spaces.
Banah sofa is born as a personal tribute, with the intent to create a bold design, that breathes references to all the icons of the company.
Two coloured glasses with different shapes, but complementary, create a play of transparencies.
The seat was born from a very simple idea: two tubes bent into a “U” shape and connected together by a joint.
Algon is a series of armchairs with an embracing shape, that offers intimacy and privacy to the person they welcome.
The special form is inspired by a leaf falling from a tree, that becomes a symbol of comfort. It invites you to take a rest and relax.
Orfeo was inspired by Elettra chair, designed in the '50s for the first furnishings for offices and collective spaces.
For the design of the “Threshold” screen series, Neri&Hu proposes a free-standing partition that plays with structure, materiality, and dimensionality.
Cradle's characteristic is based on the structure: a classical triangular construction, that is repeated several times around the models.
Inspired by the elegant aesthetics of bridges, but also by the famous works of the great architect and designer from Milan with the same name.
Bonsai is inspired by reflection upon Japanese aesthetics and culture. The seat is characterized by soft and curved shapes, reminiscent of clouds.