The continuous search for elegance and simplicity has brought the architect Carlo Colombo to the realization of Katrin armchair, conceived as a body to be dressed with an elegant and luxurious dress.
Goya is a table with round and square, essential and simple lines, but with a great visual impact.
Jules & Jim
Jules & Jim are two simple armchairs, with a high seating comfort. Jules is the small version and Jim the larger version.
The seat was born from a very simple idea: two tubes bent into a “U” shape and connected together by a joint.
B.B.P.R. studio designed the armchair Giulietta with all the characteristics of arflex production: deep study of the line and absolute comfort, without forgetting the elegance.
To remain faithful to the principle for self-honesty, the design of this collection unveils its construction method.
It is possible to create a very large possibility of proposals with a personal character, maintaining the aesthetical and functional point of view, that place themselves individually in very differ
“She can look smart for when she goes to work, dressed up when going to a party, or put on something cosy when staying in. Dress her as you want her to be!”
Two coloured glasses with different shapes, but complementary, create a play of transparencies.
Orfeo was inspired by Elettra chair, designed in the '50s for the first furnishings for offices and collective spaces.
Inspired by the elegant aesthetics of bridges, but also by the famous works of the great architect and designer from Milan with the same name.
Cradle's characteristic is based on the structure : a classical triangular construction, that is repeated several times around the models.
To remain faithful to this search for interior honesty, the design of this collection reveals its constructive method.
Supplì, designed by Luca Nichetto, is an inviting and elegant armchair; the soft and sinuous curves give off heat and embody a spatial anchoring, almost perfect for rest and relaxation.
Symbol of comfort, Fiorenza armchair appears in Pirelli's 1950s advertisement as symbol of the foam rubber potential, considered at that time the most technologically advanced material used in upho