Katrin

Goya is a table with round and square, essential and simple lines, but with a great visual impact.

The hug, the friendly and welcoming gesture, seen more clearly in the "open - armed" of the armrests, is meant as a universal invitation: "come, sit with me a while and I will put you at ease".

The architect Cini Boeri tells that she was inspired by Christo Vladimirov Javasev's and Jeanne-Claude Denat de Guillebon's works, masters in the art of landscape painting.

Neptunia collection was designed in the 1950s, as a continuous line of Elettra's series, to offer a wide choice to design offices and public spaces.

For the design of the “Threshold” screen series, Neri&Hu proposes a free-standing partition that plays with structure, materiality, and dimensionality.

The seat was born from a very simple idea: two tubes bent into a “U” shape and connected together by a joint.

Inspired by the elegant aesthetics of bridges, but also by the famous works of the great architect and designer from Milan with the same name.

The extreme formal essentiality of these upholstered elements, designed in 1976 by the architect Mario Marenco, still makes them a very current model.

Orfeo was inspired by Elettra chair, designed in the '50s for the first furnishings for offices and collective spaces.

Symbol of comfort, Fiorenza armchair appears in Pirelli's 1950s advertisement as symbol of the foam rubber potential, considered at that time the most technologically advanced material used in upho

The unique design and the wide modularity still make Marenco sofa a must of contemporary furniture.

Cradle's characteristic is based on the structure: a classical triangular construction, that is repeated several times around the models.

Bonsai is inspired by reflection upon Japanese aesthetics and culture. The seat is characterized by soft and curved shapes, reminiscent of clouds.

Cini Boeri restores Bengodi model, designed in 1974, chosen by arflex, sure that it would have been loved, today as at that time.

Generous proportions and a friendly, soft but still very architectural geometry: this is what defines Tokio Soft.