B.B.P.R. studio designed the armchair Giulietta with all the characteristics of arflex production: deep study of the line and absolute comfort, without forgetting the elegance. With this model it won the cover of the magazine Domus (no. 372 – November 1960).
Slow waves, rolling hills, soothing pulse: kind, soft, iconic - soft beat.
Papillon applique lamp plays with transparencies, colours and geometric shapes.
The architect Cini Boeri tells that she was inspired by Christo Vladimirov Javasev's and Jeanne-Claude Denat de Guillebon's works, masters in the art of landscape painting.
We are at the end of the ‘50s: an interesting series of armchairs and sofas, designed by Roberto Menghi and called Hall, joins arflex collection.
To remain faithful to this search for interior honesty, the design of this collection reveals its constructive method.
Cradle's characteristic is based on the structure: a classical triangular construction, that is repeated several times around the models.
The unique design and the wide modularity still make Marenco sofa a must of contemporary furniture.
Rigorous shape for the seating system Naviglio, but pleasantly softened in the lines, thanks to a competent use of the materials.
Symbol of comfort, Fiorenza armchair appears in Pirelli's 1950s advertisement as symbol of the foam rubber potential, considered at that time the most technologically advanced material used in upho
The special form is inspired by a leaf falling from a tree, that becomes a symbol of comfort. It invites you to take a rest and relax.
Jules & Jim
Jules & Jim are two simple armchairs, with a high seating comfort. Jules is the small version and Jim the larger version.
“She can look smart for when she goes to work, dressed up when going to a party, or put on something cosy when staying in. Dress her as you want her to be!”
Cini Boeri restores Bengodi model, designed in 1974, chosen by arflex, sure that it would have been loved, today as at that time.
Modular system designed around the classical geometry of the arch, employing from the beginning the disciplined use of the arch to create something more organic.