B.B.P.R. studio designed the armchair Giulietta with all the characteristics of arflex production: deep study of the line and absolute comfort, without forgetting the elegance. With this model it won the cover of the magazine Domus (no. 372 – November 1960).
To remain faithful to this search for interior honesty, the design of this collection reveals its constructive method.
The continuous search for elegance and simplicity has brought the architect Carlo Colombo to the realization of Katrin armchair, conceived as a body to be dressed with an elegant and luxurious dres
It is possible to create a very large possibility of proposals with a personal character, maintaining the aesthetical and functional point of view, that place themselves individually in very differ
“She can look smart for when she goes to work, dressed up when going to a party, or put on something cosy when staying in. Dress her as you want her to be!”
We are at the end of the ‘50s: an interesting series of armchairs and sofas, designed by Roberto Menghi and called Hall, joins arflex collection.
To remain faithful to the principle for self-honesty, the design of this collection unveils its construction method.
Very versatile seating system with the possibility of creating dynamic compositions, thanks to the versions of the backrests.
Cini Boeri designed Botolo in 1973, giving life to a new design style, where you could choose the height of the legs to have a dining chair in the high version or a style, at that time modern, "the
Rigorous shape for the seating system Naviglio, but pleasantly softened in the lines, thanks to a competent use of the materials.
Supplì, designed by Luca Nichetto, is an inviting and elegant armchair; the soft and sinuous curves give off heat and embody a spatial anchoring, almost perfect for rest and relaxation.
The extreme formal essentiality of these upholstered elements, designed in 1976 by the architect Mario Marenco, still makes them a very current model.
Delfino armchair by Erberto Carboni is a significant example of the so-called "organic" furniture, which develops in the 1950s and draws inspiration from the forms of nature.
Seating system with a comfortable line, where its structure can be enriched by the manual weave of the cowhide, in order to give an elegant scene to the sofa.
The hug, the friendly and welcoming gesture, seen more clearly in the "open - armed" of the armrests, is meant as a universal invitation: "come, sit with me a while and I will put you at ease".