B.B.P.R. studio designed the armchair Giulietta with all the characteristics of arflex production: deep study of the line and absolute comfort, without forgetting the elegance. With this model it won the cover of the magazine Domus (no. 372 – November 1960).
Modular system designed around the classical geometry of the arch, employing from the beginning the disciplined use of the arch to create something more organic.
It is possible to create a very large possibility of proposals with a personal character, maintaining the aesthetical and functional point of view, that place themselves individually in very differ
Goya is a table with round and square, essential and simple lines, but with a great visual impact.
The seat was born from a very simple idea: two tubes bent into a “U” shape and connected together by a joint.
At the end of the '60s, the architect Cini Boeri revolutionizes the furniture market with her model, that is now an "evergreen": the seating system Strips.
A luxurious proportioned seating system, with an accent from the Scandinavian heritage.
Papillon applique lamp plays with transparencies, colours and geometric shapes.
The hug, the friendly and welcoming gesture, seen more clearly in the "open - armed" of the armrests, is meant as a universal invitation: "come, sit with me a while and I will put you at ease".
Delfino armchair by Erberto Carboni is a significant example of the so-called "organic" furniture, which develops in the 1950s and draws inspiration from the forms of nature.
Serenity, simplicity, materiality, modularity are some of the key words of Rendez-Vous.
Neptunia collection was designed in the 1950s, as a continuous line of Elettra's series, to offer a wide choice to design offices and public spaces.
The unique design and the wide modularity still make Marenco sofa a must of contemporary furniture.
Algon is a series of armchairs with an embracing shape, that offers intimacy and privacy to the person they welcome.
Two coloured glasses with different shapes, but complementary, create a play of transparencies.