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Alba is a bookcase for displaying and containing, with exceptional compositional versatility. The shelves, thanks to the fixing elements with a single pin, allow to create round compositions.

Symbol of comfort, Fiorenza armchair appears in Pirelli's 1950s advertisement as symbol of the foam rubber potential, considered at that time the most technologically advanced material used in upho

To remain faithful to the principle for self-honesty, the design of this collection unveils its construction method.

Floating on an upturned edge, reminiscent of the dress collar known in France with the name of "col Claudine".

To remain faithful to this search for interior honesty, the design of this collection reveals its constructive method.

The architect Cini Boeri tells that she was inspired by Christo Vladimirov Javasev's and Jeanne-Claude Denat de Guillebon's works, masters in the art of landscape painting.

We are at the end of the ‘50s: an interesting series of armchairs and sofas, designed by Roberto Menghi and called Hall, joins arflex collection.

Rigorous shape for the seating system Naviglio, but pleasantly softened in the lines, thanks to a competent use of the materials.

Delfino armchair by Erberto Carboni is a significant example of the so-called "organic" furniture, which develops in the 1950s and draws inspiration from the forms of nature.

A luxurious proportioned seating system, with an accent from the Scandinavian heritage.

A classic of the '50s office, Elettra is the armchair you can't do without. Thanks to its timeless style and its elegant proportions, it adapts perfectly to any environment.

“She can look smart for when she goes to work, dressed up when going to a party, or put on something cosy when staying in. Dress her as you want her to be!”

It is possible to create a very large possibility of proposals with a personal character, maintaining the aesthetical and functional point of view, that place themselves individually in very differ

The seat was born from a very simple idea: two tubes bent into a “U” shape and connected together by a joint.

Cini Boeri designed Botolo in 1973, giving life to a new design style, where you could choose the height of the legs to have a dining chair in the high version or a style, at that time modern, "the