Bel Air

Inspired by the elegant aesthetics of bridges, but also by the famous works of the great architect and designer from Milan with the same name.

The special form is inspired by a leaf falling from a tree, that becomes a symbol of comfort. It invites you to take a rest and relax.

“She can look smart for when she goes to work, dressed up when going to a party, or put on something cosy when staying in. Dress her as you want her to be!”

The extreme formal essentiality of these upholstered elements, designed in 1976 by the architect Mario Marenco, still makes them a very current model.

To remain faithful to this search for interior honesty, the design of this collection reveals its constructive method.

Jules & Jim are two simple armchairs, with a high seating comfort. Jules is the small version and Jim the larger version.

Cini Boeri restores Bengodi model, designed in 1974, chosen by arflex, sure that it would have been loved, today as at that time.

The hug, the friendly and welcoming gesture, seen more clearly in the "open - armed" of the armrests, is meant as a universal invitation: "come, sit with me a while and I will put you at ease".

The seat was born from a very simple idea: two tubes bent into a “U” shape and connected together by a joint.

Neptunia collection was designed in the 1950s, as a continuous line of Elettra's series, to offer a wide choice to design offices and public spaces.

Bonsai is inspired by reflection upon Japanese aesthetics and culture. The seat is characterized by soft and curved shapes, reminiscent of clouds.

Orfeo was inspired by Elettra chair, designed in the '50s for the first furnishings for offices and collective spaces.

B.B.P.R. studio designed the armchair Giulietta with all the characteristics of arflex production: deep study of the line and absolute comfort, without forgetting the elegance.

arflex celebrates the 50-year success of the model Marenco presenting the outdoor version. 

Modular system designed around the classical geometry of the arch, employing from the beginning the disciplined use of the arch to create something more organic.