Algon is a series of armchairs with an embracing shape, that offers intimacy and privacy to the person they welcome.
Supplì, designed by Luca Nichetto, is an inviting and elegant armchair; the soft and sinuous curves give off heat and embody a spatial anchoring, almost perfect for rest and relaxation.
We are at the end of the ‘50s: an interesting series of armchairs and sofas, designed by Roberto Menghi and called Hall, joins arflex collection.
Very versatile seating system with the possibility of creating dynamic compositions, thanks to the versions of the backrests.
To remain faithful to the principle for self-honesty, the design of this collection unveils its construction method.
To remain faithful to this search for interior honesty, the design of this collection reveals its constructive method.
Two coloured glasses with different shapes, but complementary, create a play of transparencies.
Symbol of comfort, Fiorenza armchair appears in Pirelli's 1950s advertisement as symbol of the foam rubber potential, considered at that time the most technologically advanced material used in upho
Modular system designed around the classical geometry of the arch, employing from the beginning the disciplined use of the arch to create something more organic.
The unique design and the wide modularity still make Marenco sofa a must of contemporary furniture.
A classic of the '50s office, Elettra is the armchair you can't do without. Thanks to its timeless style and its elegant proportions, it adapts perfectly to any environment.
The continuous search for elegance and simplicity has brought the architect Carlo Colombo to the realization of Katrin armchair, conceived as a body to be dressed with an elegant and luxurious dres
Seating system with a comfortable line, where its structure can be enriched by the manual weave of the cowhide, in order to give an elegant scene to the sofa.
arﬂex, always engaged in a constant work of research and realizations, presents 9000 by Tito Agnoli, a series of compact and variously articulated seats.
For the design of the “Threshold” screen series, Neri&Hu proposes a free-standing partition that plays with structure, materiality, and dimensionality.