Corba

Vincent Van Duysen has designed Louisa, a set of round and oval coffee tables in which the presence of both wood and cement conveys an innovative tactile and aesthetic effect.

MHC.1 is a new edition of the prototype of the first modern piece of furniture made by Molteni&C, the chest of drawers designed by Werner Blaser.

Hector Night is a new project dedicated to the night area by Molteni&C. It originates from the Hector bookcase which features a strong modern and flexible expressive character.

Filigree is a range of fixed size and extension tables. Glossy and matt diecast aluminium frames underpin tops enhanced by a wide range of finishes. 

A range of tables with folded legs like a delicate origami, available both in rectangular and square shapes. 

Miss chair, designed by Afra and Tobia Scarpa in 1986. The form is linked to a system of soft, unbroken, linear rhythms.

Molteni&C presents a new version, 30 years after the first Piroscafo.

Designed for a contemporary and convivial setting,  Walter has its roots in the craftsmanship tradition typical of Scandinavian countries.

The D.859.1 table, designed primarily as a meeting table for up to ten people, stands out not only for its impressive size—over 3,60 meters long—but especially for its simple yet refined design.

Touch Down Unit, an innovative workstation designed by Studio Klass and originally thought for advanced work environments and produced by UniFor (company of the Molteni Group), has become part of t

A new coordinated furnishing proposal for the Pass-Word, searching for maximum balance between formal rigour, high technological impact and maximum attention to detail.

Designed in 1956-1957, the bookcase is part of the furniture of Gio Ponti’s private house in Via Dezza in Milan.
 

Alisee confirms Matteo Nunziati’s expressive rationality.

Ribbon is a fabulously soft textile bed with a young, modern design, using natural materials.

Paul is a set of elegantly proportioned sofas with reassuring lines, elements that emphasize Vincent Van Duysen’s expressive rationality.