Octave

The new Collection represents the heart of contemporary living needs, where domestic spaces are versatile, multifunctional, and can be adapted and modelled according to use.

A range of tables with folded legs like a delicate origami, available both in rectangular and square shapes. 

From Gio Ponti’s house, located in via Dezza in Milan, the small table D.555.1, designed in 1954-1955, is produced by Molteni&C based on the original drawings from the ponti archives. 

Filigree is a range of fixed size and extension tables. Glossy and matt diecast aluminium frames underpin tops enhanced by a wide range of finishes. 

The armchair, on the other hand, was designed for one of the projects closest to Gio Ponti’s heart, the villa of the Planchart collectors in Caracas (1953-57).

Panna Cotta, at once delicate and heavy, the paradox lies in the use of materials such as marble and iron to achieve a fragile stability.

MHC.2 is a re-edition of the bookcase prototype designed in 1959 by Yasuhiko Itoh. 

With his Hector project, Vincent Van Duysen makes his debut in the world of upright modular bookcases.

The ‘Dedalo’ rug is characterised by a rigorous geometry and refined colours that are always the protagonists of the design, harmoniously integrating in the new everyday concept of the home.

With Horizons, a cupboard for the daytime area, Dante Bonuccelli proposes a different way of storing, and at the same time displaying much-loved objects.

Designed in 1953, the D.153.1 armchair is part of the furniture of Gio Ponti’s private house in via Dezza in Milan.

The Tea chair is a tribute to lightness. The structure, completely made of solid wood, outlines and reveals the profile of the chair in its entirety.

Alisee confirms Matteo Nunziati’s expressive rationality.

Designed originally for the Fondation Cartier in Paris, the LessLess tables stand out for intrinsic elegance and light lines in every environment.

Molteni&C presents a new version, 30 years after the first Piroscafo.